Robert Coover is one of the most important writers (among the many living, seemingly living, or otherwise writers), his work not only crossing genres but remaking them in his own peculiar, acerbic, lyrical, defamiliarizing image. The so-called major publishers have shied away from publishing Coover’s work for some years now, even sadly allowing his many books to go out of print, marking, once again, not only their poor judgment, but, ultimately, their cowardice.
So, I was very happy to hear the news that, come September 2013, Dzanc Books will publish Robert Coover’s novel The Brunist Day of Wrath, the sequel to his award-winning debut novel, The Origin of the Brunists. A Coover short story collection will be published in September 2014. Beginning in August 2012 and running on up through August 2013, “eBooks” of ten of Coover’s backlist titles will be released.
Bravo, Dzanc Books!
From Dzanc’s press release announcing the news:
Dzanc Books to Publish Robert Coover
May 29, 2012 – Ann Arbor, MI—Dzanc Books is proud to announce that it will publish The Brunist Day of Wrath, the sequel to Robert Coover’s award-winning debut novel, The Origin of the Brunists, in September 2013. Dzanc Books will also publish an as yet untitled Coover short story collection in September 2014. The Dzanc rEprint Series will be publishing ten of Coover’s backlist titles to eBook form beginning in August 2012 and running on up through August 2013. Titles include the aforementioned award-winning The Origin of the Brunists; Pricksongs & Descants; The Public Burning; Spanking the Maid; Gerald’s Party; A Night at the Movies, or You Must Remember This; Whatever Happened to Gloomy Gus of the Chicago Bears; Pinocchio in Venice; John’s Wife; and Ghost Town.
Robert Coover has published fourteen novels, three short story collections, and a collection of plays since The Origin of the Brunists received the The William Faulkner Foundation First Novel Award in 1966. At Brown University, where he has taught for over thirty years, he established the International Writers Project, a program that provides an annual fellowship and safe haven to endangered international writers who face harassment, imprisonment, and suppression of their work in their home countries. In 1990-91, he launched the world’s first hypertext fiction workshop, was one of the founders in 1999 of the Electronic Literature Organization, and in 2002 created CaveWriting, the first writing workshop in immersive virtual reality. Michiko Kakuntaini of The New York Times has said “Of all the postmodern writers, Robert Coover is probably the funniest and most malicious, mixing up broad social and political satire with vaudeville turns, lewd pratfalls, and clever word plays that make us rethink both the mechanics of the world and our relationship to it.” Coover has also received awards from the Lannan Foundation, American Academy of Arts and Letters, National Endowment of the Arts, and the Rea Lifetime Short Story Award.
Dzanc’s Executive Director, Dan Wickett, said of the acquisition: “We are thrilled to be able to bring out both new and past work from Robert Coover, a favorite author of ours here at Dzanc Books for many years. To be able to bring back many of his older works to a new readership is extremely exciting and to see him return to West Condon and the Brunists after all these years with a simply fantastic novel is something we’re very happy to be a part of.”
This signing was made through Robert Coover’s agent, Georges Borchardt.
About Dzanc Books
Dzanc Books was created in 2006 to advance great writing and to impact communities nationally with our efforts to advance literary readership and our advocacy of creative writing workshops and readings. As a non-profit, 501(c)3 organization, Dzanc Books not only publishes literary fiction, but works in partnership with literary journals to advance their readership at every level. Dzanc is also fully committed to developing educational programs in schools.
For more information on Dzanc Books and its mission, imprints, books, authors, awards, and programs, please visit www.dzancbooks.org.
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Did you hear the word count on this sucker? 430k. Opus-length.
Yes, I did, Ravi, the word-count giving lie to the idea that the tome is dead. But that idea is an old lie, anyway.