Robert Coover is one of the most important writers (among the many living, seemingly living, or otherwise writers), his work…
“I think happiness is overrated.”
A nice, relatively brief interview with Chris Ware that is worth watching for two reasons— (1) It spotlights Chris Ware,…
Lost in Translation
I am a native of Gelderland. Our property consists only of a few acres of briar and brackish water. Pines…
Feature Friday: “Anima Mundi” (1992)
Anima Mundi is Latin for “the shortest Godfrey Reggio / Philip Glass collaboration”—the third of their four “musical nature documentaries.”…
A Sequence on Sequence, Part 4: Nathan Huffstutter
[A guest post from Nathan Huffstutter. Nathan Huffstutter’s work can be found at The Nervous Breakdown, The Collagist, and…
Feature Friday: “The Baby of Mâcon” (1993)
Time Magazine, Peter Greenaway had you beat back in 1993—and then some. Below the jump you’ll find the polemical Welsh…
Barrelhouse, or, Some Reasons Why I Am Not an Impartial Reviewer and Don’t Care
Barrelhouse is one of my favorite literary magazines. It’s one of the first I picked up, at Von’s Books in…
Big Bridge 16
Big Bridge’s 15th Anniversary issue is now live. It contains multitudes.
Creative Engagement with Jared Hayes’ The Dead Love: Hands and More Hands Together (Black Radish Books, 2012)
Jared Hayes’ new full length book The Dead Love: Hands and More Hands Together states itself as “an experiment in…
A Sequence on Sequence, Part 3: Amber Sparks
[Wisdom from Amber Sparks.] Warning: my thoughts on ordering stories will almost certainly be incredibly unhelpful to you in…