Recently, on Facebook, Lance Olsen mentioned that he’s in the midst of “compiling a bibliography of 100 important experimental texts…
A D & Jeremy Talk about Movies—Extra: Linda’s Voice-Over Narration in Days of Heaven
I’ve been teaching Days of Heaven on and off for a several years now, and I transcribed Linda Manz‘s voice-over…
Vote! Vote! Vote! or, Warning: Shameless (Sort-of) Self-Promotion Ahead
Did you vote yet for your favorite in the storySouth Million Writers Award? Did you know that some of your…
A D & Jeremy Talk about Movies: The Tree of Life
[By now it was late. The three stars were dimpling the sky. The baby raccoon was crying for its milk…
#AuthorFail 4: Jeffrey DeShell
It’s Monday morning. The yawning gulf of your workweek stretches before you like a festering baby mouth. How long until…
Literary quality?
I am in the process of writing a review of a collection of dystopian stories (Brave New Worlds edited by…
Human Rights Activism and Filmmaking: Glasgow Film Theatre, June 26, 3pm.
If you happen to be in Glasgow this weekend, please check out the Human Rights Activism and Filmmaking event…
Panopticon
Reading Alexandra Harris’s curious book on Romantic Moderns, I came upon a chapter describing the attitude of high modernist architects…
Reflections on Reflections on Michael Kimball’s Us
It’s clear that Michael Kimball’s novel, Us, recently published by Tyrant Books, has affected many writers and readers more deeply…
What Were You Doing in 1979? (part 6)
James Brown, whose career was about to experience a resurgence, released The Original Disco Man. James Chance & the Contortions…