For over two weeks now, this picture’s been getting a lot of hits here at Big Other:
364 total page views, and counting. Just the image, mind you—not an actual post. What makes this even funnier is that this JPEG never appeared in a Big Other post (well, until now). Instead, it’s a leftover from my discussion with Jeremy M. Davies about X-Men: First Class; there was at one point a part where I said something about Azazel, but it was dumb, so I cut it, and I thought that when I did, I deleted the image. I was wrong.
But since he’s here and people are eager to peer at him, let’s see if we can’t make him earn his keep…
X-Men: First Class.
A D: Much like how you hated The Tree of Life, Jeremy, I hated Bryan Singer’s two X-Men films. Hated them!
Jeremy: What, seriously? They made you physically ill?
Yes, seriously, ill. I would have gnawed my own arm off to escape, if it hadn’t meant forfeiting my malt balls.
On Saturday, when I couldn’t be at AWP, I consoled myself by attending the Music Box‘s 4th Science-Fiction Spectacular. (It turns out that John Carpenter’s Dark Star (1974) is a wonderful little film—2001 by way of Dr. Strangelove.)
But then Sunday found me, just like Ming the Merciless, boooored once again, so I went back to scouring the internet for Klytus/Destro slash fiction clips from Flash Gordon:
While looking I came across a few tracks from an album I’d never heard of, Peter Wyngarde’s When Sex Leers Its Inquisitive Head (1970). Bring inquisitive myself, I pursued…
TDKR page 78.
This post is in memory of Dick Giordano (20 July 1932–27 March 2010), original editor of Batman: The Dark Knight Returns.
Part 1 | Part 2 | Part 3 | Part 5 | Part 6 | Part 7 | Part 8
Time now to talk about Book Two (of four): “The Dark Knight Triumphant.” Having prevented Two-Face from destroying Gotham’s Twin Towers, Batman turns his attention to the Mutant gang that’s been terrorizing the city. We learn more about Commissioner Gordon’s impending mandatory retirement, and meet his successor: Captain Ellen Yindel, whose appointment (and hostility toward the Dark Knight) will motivate much of Book Three’s plot. Miller also introduces a new Robin, the young teenager Carrie Kelley, who will become a central character. And Superman is given subtle orders (by President Reagan) to help ensure that the newly-returned Batman stays in line.
Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Part 8
These days, Frank Miller is arguably best-known as a filmmaker. He co-directed Robert Rodriguez’s adaptation of his long-running comic Sin City (1991–present), which he followed with his own peculiar 2008 adaptation of Will Eisner’s classic comic series The Spirit (1942–52). In between, he executive-produced Zack Snyder’s hugely successful adaptation of his 1998 graphic novel 300. Hollywood’s current infatuation with super-heroics has served him well.
Most of Miller’s work, however, has been in comics, a medium he has helped revolutionize over the past twenty years. Since comics sadly remain an understudied and under-analyzed literary medium, I thought I’d take advantage of John Madera’s generosity—and your patience—to sketch out some thoughts about the form and importance of Frank Miller’s 1986 graphic novel Batman: The Dark Knight Returns.