Helen DeWitt’s “Cormac McCarthy & the Semi-Colon” is about the travails of punctuation. Yes, editors are often always trying to add commas.
The new great issue of The Quarterly Conversation has a review of William H. Gass’s Middle C by Brad Johnson and one of Sam Lipsyte’s The Fun Parts by David Winters. David Winters’ review of Christine Schutt’s Prosperous Friends in the LA Review of Books is also well worth the click.
Canadian author Douglas Glover’s literary journal Numero Cinq is billed as “A warm place on a cruel web.” Jason Lucarelli’s piece “The Consecution of Gordon Lish: An Essay on Form and Influence” might be the most definitive piece on Lish.
There is a wonderful interview with Evan Lavender-Smith by Edwin Turner at Biblioklept. Lavender-Smith’s glorious From Old Notebooks was recently re-issued by Dzanc Books. I reviewed it at this site.
THE SOUNDS OF SAM LIPSYTE
In the next few weeks we will hear that Sam Lipsyte’s The Fun Parts (Farrar, Straus and Giroux) is funny, irreverent, sex-obsessed, witty, broken, indiscriminate, and wry. Listening is the key verb as concerns Lipsyte. In the best stories: “The Climber Room,” “Deniers,” “The Wisdom of the Doulas,” “Snacks,” “A Worm in Philly,” “Expressive,” “Ode to Oldcorn,” and “Nate’s Pain is Now,” readers reading to the little man or woman that controls their brains will hear in their heads a prose holding piteous subjects grandly animated with vibrant and uncanny sounds. These delightful noises are a bonus because they accompany such an unwonderful world—not necessarily an evil place, but a staging ground for the salacious and ignoble to have their way with the weaker of the species.