Maria Schneider, the female lead in two of my all-time favorite films, Bernardo Bertolucci’s Last Tango in Paris (1972) and…
Tiny Shocks Revisited (A Continuing Criticism of James Wood’s How Fiction Works)
Earlier today John pointed toward Nigel Beale’s cleverly-titled criticism of my post “Tiny Shocks: Uncovering the Reductive Plot of James…
Tiny Shocks: Uncovering the Reductive Plot of James Wood’s How Fiction Works
[Update: As if this post weren’t long enough, there’s now a Part 2.] On January 22, I read Shya Scanlon’s…