Seventeen Ways of Criticizing Inception (AKA, All Knowledge Isn’t Equal)

Let’s consider the truth behind advertising.

[This can be considered a response to this post, and its comments thread.]

1.

You’ve just become the fiction editor of a small journal. You open your email and see that you’ve received 1,000 unsolicited submissions. The first ten were sent by:

  • Carlos Shirley
  • Jeanne Goss
  • Jack Livingston
  • Christine Stribling
  • Melissa Mathieu
  • Benjamin Tatro
  • Tao Lin
  • Ryan Monk
  • Naomi Foltz
  • Matthew Orosco

Which one do you open and read first?

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Godspeed, Jack Horkheimer

Back when I was in late grade school/early high school, every Friday night, my local PBS station would run two episodes of Star Trek: The Next Generation, plus one episode of the Original Series, all commercial free. In between ran episodes of Jack Horkheimer’s Star Hustler:

I’m not ashamed (now) to confess that, in those awkward adolescent years, this three-hour block of TV was the highlight of my week. (Yes, I was that kid, mad for Star Trek and astronomy.) Star Hustler is where I probably first heard Debussy’s Arabesque No. 1—and certainly where I first heard Isao Tomita’s electronic music. (And it’s also, along with Tom Carvel’s deranged ice cream cake commercials, probably where I first gained my love of cheap 1980s video art.)

RIP, Mr. Horkheimer, sir. Thanks to you, I’ll keep looking up.