&NOW 5 at UCSD as a wild, raucous ride, courtesy of our many participants and the world’s best organizers: Amina Cain and Anna Joy Springer. HERE are some responses. Now, more news:
Three Sea Monsters: Our History of Whose Image, Tod Thilleman. Spuyten Duyvil.
Thilleman, the Maurice Girodias behind Spuyten Duyvil (publisher of my novel Multifesto: A Henri d’Mescan Reader), always intrigues me with his probing take on modernism-into-postmodernism and his careful attention to the rhythmic packaging of language.
In this collection of essays, leading academics, critics, and artists historicize collage and appropriation tactics that cut across diverse media and genres. They take up issues of appropriation in the popular and the avant-garde, in altered billboards and the work of the renowned painter Chris Ofili, in hip-hop and the compositions of Béla Bartók and Zoltán Kodály, and in audio mash-ups, remixed news broadcasts, pranks, culture jamming, and numerous other cultural forms. The borrowing practices that they consider often run afoul of intellectual property regimes, and many of the contributors address the effects of copyright and trademark law on creativity. Among the contributors are the novelist and essayist Jonathan Lethem, the poet and cultural critic Joshua Clover, the filmmaker Craig Baldwin, the hip-hop historian Jeff Chang, the ’zine-maker and sound collage artist Lloyd Dunn, and Negativland, the infamous collective that was sued in 1991 for sampling U2 in a satirical sound collage. Cutting Across Media is both a serious examination of collage and appropriation practices and a celebration of their transformative political and cultural possibilities.
Lorraine Morales Cox
Philo T. Farnsworth
Warner Special Products
Eva Hemmungs Wirtén
About The Author(s)
Kembrew McLeod is Associate Professor of Communication Studies at the University of Iowa. He is the author of Freedom of Expression®: Resistance and Repression in the Age of Intellectual Property and Owning Culture: Authorship, Ownership, and Intellectual Property Law, and co-creator of the documentary film Copyright Criminals.
Rudolf Kuenzli is Professor of Comparative Literature and English at the University of Iowa, where he is the Director of the International Dada Archive. He is the editor of the journal Dada/Surrealism.
It’s been a while since I’ve posted news of all our various goings on and whatnot. But everyone at Big Other has been up to all kinds of great things.
Inspired by Davis’s recent post, I’d like to propose an experimental thread. So, please feel free to experiment in the comments section here.
With sites (especially blogs, I’d imagine) coming and going, resembling fairweathered friends with their weighty promises and concomitant lack of follow-through, and with evanescence and disposability, perhaps, being two of the internet’s primary characteristics, an internet year must be to an in-real-life year as what a dog year is to a human year. But it’s not for these reasons I’m happy to say that Big Other is celebrating its first year today.
A year ago, thinking about how frustrating it was to find a place that invited dialogue (and by “dialogue” I mean the concept formalized best, for me, by Paulo Friere, that is, a nexus that allows, encourages, fosters communication characterized by respect and equality, where diversity of thought is encouraged, where understanding and learning are privileged over mere judgment, although conclusions and sound and informed discernment, that is, sound judgment, and maybe even wisdom, may, in fact, result); thinking about how many blogs encourage stereotypes, discord, stupidity, inanity, macho posturing, and self-reflexiveness, blogs that are havens of groupthink, blogs that are really just another kind of mirror, mirror, on the wall, blogs that are really just digitized lint in an electronic navel; thinking about how I wanted something different from all that noise, I launched Big Other with the idea of it being what I, in some kind act of faith, called “an online forum of iconoclasts and upstarts focusing its lens on books, music, comics, film, video and animation, paintings, sculpture, performance art, and miscellaneous nodes and sonic booms,” a place to “explore how we are made and unmade by images, language, and sound; examine computer-mediated worlds; and dance along with various tumults, genre- and other border-crossings, trespassings, transgressions, and whatever, nevermind.” And I have to say that I haven’t been disappointed. Big Other has become all those things for me, and so much more, and by “so much more,” I mean, it has truly become a conduit for meeting many incredible people in person, and so, I really can’t wait to see what comes next for us.
Lake Forest College and &NOW Books are pleased to recognize José Perez Beduya as the winner of the Madeleine P. Plonsker Emerging Writer’s Residency Prize, now in its third year. He will be in residence on the campus of Lake Forest College from February 1 to March 31, 2011, where he will work to complete his winning manuscript, Throng.
Beduya will receive $10,000 and, upon editorial approval, the finished book will be published by the &NOW Books imprint of Lake Forest College Press, with distribution by Northwestern University Press. He will also take part in the Lake Forest Literary Festival and offer a series of public presentations while in residence at the College.
The Madeleine P. Plonsker Emerging Writer’s Residency Prize is awarded to an author under forty years old with no major book publication. This year the winner was selected by guest judge and poet Jennifer Moxley from a field of six finalists chosen by the editors of Lake Forest College Press / &NOW Books. Ms. Moxley’s latest book is Clampdown (Flood Editions, 2009), which has received enthusiastic reviews in such publications as Ploughshares and The Nation.
Of the winning manuscript, Jennifer Moxley writes, “Jose Perez Beduya’s manuscript-in-progress Throng intelligently layers literary, political, and spiritual registers into a subtly moving work. Throughout Beduya’s manuscript, a shimmering subjectivity—sometimes singular, more often plural—emits an intermittent signal, coming in and out of view like some mysterious lost “other” flashing a pocket mirror against the sun in hope of rescue. Historically and geographically displaced, the desiderata of this gentle “we” yet remains the interconnection between human beings. It is common now in poetry to condemn what’s wrong with the world. This makes sense, since so much is so. Less common are songs of spirit and of the existential urgency that does not fade even when everything else is broken.…. His control of form guides the reader into hearing his music while he carefully unfolds the lyric event of each poem.”
The Madeleine P. Plonsker Emerging Writer’s Residency Prize is made possible by a donation from a local philanthropist who was impressed by the College’s recently established publishing enterprise, Lake Forest College Press / &NOW Books. The previous winners are Jessica Savitz, whose poetry book Hunting Is Painting will be published in October 2010, and Gretchen E. Henderson, whose work of fiction Galerie de Difformité will be published in October 2011.
Emerging prose writers interested in applying for the 2012 residency—in prose or mixed/cross-genre—should send a curriculum vita, no more than 30 pages of a manuscript in progress with a separate cover page, and a one-page statement of plans for completion to: Plonsker Residency, Department of English, Lake Forest College, Box A16, 555 N. Sheridan Road, Lake Forest, IL 60045. The author’s name should appear only on the cover page of the manuscript sample. Submissions must be postmarked by April 1, 2011 for consideration by editors Robert Archambeau, Davis Schneiderman, and Joshua Corey. The guest judge will be announced in the coming months. Please send direct inquiries to firstname.lastname@example.org with the subject line: Plonsker Prize.
The 2011 Madeleine P. Plonsker Emerging Writer’s Residency Prize Finalists and Semifinalists:
Winner: José Perez Beduya, Ithaca, NY – Throng
First runner-up: Jasmine Dreame Wagner, Southbury, CT – Registers Vanishing
Second runner-up: Mary Hickman, Iowa City, IA – Totem
Geoffrey Babbitt, Findlay, OH – Wind on a Hook
Amaranth Borsuk, Pasadena, CA – Handiwork
Claire Elisabeth Donato, Brooklyn, NY – Off to the Nervous Museum
Julie Phillips Brown , Ithaca, NY – The Adjacent Possible
C.M. Burroughs, Pittsburgh, PA – The Vital System
Ryan Downey, South Bend, IN – MAW MAW
Steffi Drewes , Emeryville, CA – untitled
Katherine E. Factor, Idyllwild, CA – Many Had Parasols
Nina Budabin McQuown , Brooklyn, NY – Cruise Ship
Sara Nicholson, Philadelphia, PA – untitled
Robert Ostrom, Brooklyn, NY – Stands Outside
Catherine Theis , Chicago, IL – The Fraud of Good Sleep