&NOW 5 at UCSD as a wild, raucous ride, courtesy of our many participants and the world’s best organizers: Amina Cain and Anna Joy Springer. HERE are some responses. Now, more news:
Three Sea Monsters: Our History of Whose Image, Tod Thilleman. Spuyten Duyvil.
Thilleman, the Maurice Girodias behind Spuyten Duyvil (publisher of my novel Multifesto: A Henri d’Mescan Reader), always intrigues me with his probing take on modernism-into-postmodernism and his careful attention to the rhythmic packaging of language.
In this collection of essays, leading academics, critics, and artists historicize collage and appropriation tactics that cut across diverse media and genres. They take up issues of appropriation in the popular and the avant-garde, in altered billboards and the work of the renowned painter Chris Ofili, in hip-hop and the compositions of Béla Bartók and Zoltán Kodály, and in audio mash-ups, remixed news broadcasts, pranks, culture jamming, and numerous other cultural forms. The borrowing practices that they consider often run afoul of intellectual property regimes, and many of the contributors address the effects of copyright and trademark law on creativity. Among the contributors are the novelist and essayist Jonathan Lethem, the poet and cultural critic Joshua Clover, the filmmaker Craig Baldwin, the hip-hop historian Jeff Chang, the ’zine-maker and sound collage artist Lloyd Dunn, and Negativland, the infamous collective that was sued in 1991 for sampling U2 in a satirical sound collage. Cutting Across Media is both a serious examination of collage and appropriation practices and a celebration of their transformative political and cultural possibilities.
Lorraine Morales Cox
Philo T. Farnsworth
Warner Special Products
Eva Hemmungs Wirtén
About The Author(s)
Kembrew McLeod is Associate Professor of Communication Studies at the University of Iowa. He is the author of Freedom of Expression®: Resistance and Repression in the Age of Intellectual Property and Owning Culture: Authorship, Ownership, and Intellectual Property Law, and co-creator of the documentary film Copyright Criminals.
Rudolf Kuenzli is Professor of Comparative Literature and English at the University of Iowa, where he is the Director of the International Dada Archive. He is the editor of the journal Dada/Surrealism.
Unfinished is now available from Jaded Ibis Press. Lily Hoang–author of three novels, including the PEN award-winning Changing–invited her favorite writers to send her their scraps. She finished their unfinishables, even offering them to edit and revise what she produced. Some did, some didn’t. This collaborative enterprise is endlessly fascinating because one doesn’t know where the original author left off and where Lily took over, or if the authors edited what Lily made. The exquisite color edition contains art by Anne Austin Pearce. It’s the most unique, most colorful anthology of stories around.
Authors of unfinished writing are Kate Bernheimer, Blake Butler, Beth Couture, Debra Di Blasi, Justin Dobbs, Trevor Dodge, Zach Dodson, Brian Evenson, Scott Garson, Carol Guess, Elizabeth Hildreth, John Madera, Ryan Manning, Michael Martone, Kelcey Parker, Ted Pelton, Kathleen Rooney, Davis Schneiderman, Michael Stewart, J.A. Tyler.
Here’s a book trailer:
It’s been a while since I’ve posted news of all our various goings on and whatnot. But everyone at Big Other has been up to all kinds of great things.
Inspired by Davis’s recent post, I’d like to propose an experimental thread. So, please feel free to experiment in the comments section here.
With sites (especially blogs, I’d imagine) coming and going, resembling fairweathered friends with their weighty promises and concomitant lack of follow-through, and with evanescence and disposability, perhaps, being two of the internet’s primary characteristics, an internet year must be to an in-real-life year as what a dog year is to a human year. But it’s not for these reasons I’m happy to say that Big Other is celebrating its first year today.
A year ago, thinking about how frustrating it was to find a place that invited dialogue (and by “dialogue” I mean the concept formalized best, for me, by Paulo Friere, that is, a nexus that allows, encourages, fosters communication characterized by respect and equality, where diversity of thought is encouraged, where understanding and learning are privileged over mere judgment, although conclusions and sound and informed discernment, that is, sound judgment, and maybe even wisdom, may, in fact, result); thinking about how many blogs encourage stereotypes, discord, stupidity, inanity, macho posturing, and self-reflexiveness, blogs that are havens of groupthink, blogs that are really just another kind of mirror, mirror, on the wall, blogs that are really just digitized lint in an electronic navel; thinking about how I wanted something different from all that noise, I launched Big Other with the idea of it being what I, in some kind act of faith, called “an online forum of iconoclasts and upstarts focusing its lens on books, music, comics, film, video and animation, paintings, sculpture, performance art, and miscellaneous nodes and sonic booms,” a place to “explore how we are made and unmade by images, language, and sound; examine computer-mediated worlds; and dance along with various tumults, genre- and other border-crossings, trespassings, transgressions, and whatever, nevermind.” And I have to say that I haven’t been disappointed. Big Other has become all those things for me, and so much more, and by “so much more,” I mean, it has truly become a conduit for meeting many incredible people in person, and so, I really can’t wait to see what comes next for us.