Gary Lutz’s story “Loo” is now at 3am Magazine.
Ken Sparling’s “It Came Out of My Head” and Three Stories by Joanna Ruocco have also been recently published.
From Future Tense Books:
Partial List of People to Bleach (expanded 2013 paperback edition)
By Gary Lutz
Even as a chapbook, it was one of Time Out New York’s Ten Best Books of 2007, and now we’re proud to publish an expanded paperback edition of Partial List of People to Bleach, with six previously uncollected pieces, including the provocative and now-classic essay “The Sentence Is a Lonely Place,” and a foreword by Gordon Lish.
“Partial List of People to Bleach is at once cruelly honest, precisely painful, and beautifully rendered.” —Brian Evenson
“Gary Lutz is a master—living proof that, even in our cliché-ridden, denial-drenched, hype-driven age, true originality is still an American possibility.” —George Saunders
Get your copy here.
Check out 3:AM’s interview with Lutz, and a review of his last collection, Divorcer.
From 3am Magazine:
Hi. Susan Tomaselli is taking a well-earned sabbatical from 3:AM this summer, so I’ll be stepping in as co-editor in chief, focusing on non-fiction. I’ve been commissioning for 3:AM since 2011, so some of you will know me, and will have worked with me already. But I’d like to say that, right now, I’m open for speculative pitches and submissions, and will be reading them continuously. So get in touch. I’ll be especially pleased to hear from you if you have an idea for an essay, interview or book review related to one of the following three areas, which I’m keen to increase our coverage of:
I am editing fiction for 3am Magazine this summer. Guidelines
A couple of things I would like to add:
Ezra Pound’s poem “Portrait D’ Une Femme” was “rejected by the North American Review in January 1912, according to Pound, on the grounds that ‘I had used the letter ‘r’ three times in the first line, and that it was very difficult to pronounce.'” *
Line: “Your mind and you are our Sargasso Sea,”
I don’t edit this way and frown upon those who do; in fact, the more difficult to pronounce, the better.
James Salter: “The secret of making [art] is simple. Discard everything that is good enough.”
I am not looking for toss-offs or something “good enough” for an internet journal. This is 3am Magazine, it’s been here for over thirteen years, that’s centuries in internet time.
If this is brusque, think of the process this way. Roughly 15% of all submissions (print, internet, and otherwise) never get replied to. I am replying to all because I take this seriously.
Here are two shorter stories that I was grateful to be an editor for:
Amber Sparks’s “May We Shed These Human Bodies”
Lance Olsen’s “Robert Smithson”
* Ezra Pound, New Selected Poems and Translations p.287
Remember those George Burns Oh, God! movies? Richard Thomas (maybe) does.
(This also calls to mind Julian Jaynes’ The Origin of Consciousness in the Breakdown of the Bicameral Mind , a favorite of William S. Burroughs).
Even if we can’t all quite agree with Thomas’ assessment of the “rules” of writing (I’m in deep trouble if these are indeed the rules), we can get behind the dumping of this manuscript to the recesses of the Jaynes’ silent hemisphere of the brain.
And there, nothing quite lives on.
The first book I ever wrote was a complete and utter failure. Remembering? I’d like to forget. Two years, several workshops, and many lost nights pouring over tarot cards, books on astrology and conversations with God netted me a pretentious, preachy book that will never see the light of day. It relied too much on my personal experiences—rewriting events of my life that (at the time) had significant meaning, but in the telling were nothing but a series of drug aided, hallucinatory, dream-state apparitions. Continue reading