By Jerome Sala Jim Feast’s Karl Marx, Private Eye is a remarkable book. On one level, it’s a wildly…
Nietzsche as Old and New Myth: A Review of D. Harlan Wilson’s Nietzsche: The Unmanned Autohagiography
By Michael Templeton Chapter 22 of D. Harlan Wilson’s Nietzsche: The Unmanned Autohagiography is devoted to an explanation of…
From the Archives: The Alluring Obscurity of Noir: A Lesson Before Writing, by Ted Morrissey
Happy birthday, Ted Morrissey! Celebrate by reading this Morrissey essay on Robert Coover’s Noir we published in 2021! Then go…
Polyphony, Intercalation, and “Re-Remembrance” in Shushan Avagyan’s A Book, Untitled
By Alistair Ian Blyth Over the millennia, translation has often saved original works from oblivion. For example, Armenian translations…
From the Archives: Big Other Folio: Robert Coover
Happy birthday, Robert Coover! 91 today, and still kicking fiction’s keister! Celebrate by reading Big Other‘s folio dedicated to…
A Museum of Argentry: A Review of Julian Mithra’s Unearthingly
By Jefferson Navicky Dear Reader, Archive or Hole? That’s the question I was sitting with when I read Julian…
The Astonished Vowel and the Number of Wonder: On Andrew Joron’s O0
By Brian Strang I have been an avid reader and fan of Andrew Joron’s poetry and essays for over…
Strange Like Home: A Review of Kristin Bock’s Glass Bikini
By Kelly Weber An ominous sense of a strange, sometimes nightmarish broken mirror reality pervades Glass Bikini, Kristin Bock’s…
Moldenke and His World: On the Fiction of David Ohle
By Daniel Green Readers encountering David Ohle’s work for the first time through his most recent novel, The Death…