I’m the faculty adviser for the online magazine Barzakh, which recently announced a new call for submissions for their upcoming issue.
Barzakh Magazine is open for submissions from Nov. 15, 2016 through 11:59 p.m. EST on Feb. 15, 2017.
We define ourselves as an “isthmus,” a space of crossings and connectivity, between histories, articulations, and media—making of these frontiers a site of inquiry and revitalization. We want your fiction, poetry, criticism, personal essay, translation*, drawings, photographs—you name it—that pushes against complacent taxonomies and finds itself forging new paths.
Guidelines: All submissions must be submitted to email@example.com. Each genre must be submitted individually. Submit no more than 5 poems, up to 5,000 words of prose, or 5 images. Each submission must be one attached file. We accept submissions in .doc, .docx, .rtf, .pdf, .jpeg, and .mp3 formats. For video submissions, please send a link to an uploaded file, rather than an attachment. The subject line of your email should read “SUBMISSION: [GENRE]: [AUTHOR LAST NAME]” (For example, “SUBMISSION: POETRY: DICKINSON”)
As an interdisciplinary journal with an internationalist stance, Barzakh is looking for critical and creative works that pry wide the liminal spaces between aesthetic modes and fields, between tongues, and between histories. We seek especially works that actively engage with global and local crises and the acts of resistance/pushback that have galvanized in response to them, including, but not limited to:
* Fallout from the 2016 U.S. presidential election
* Violence and conflicts in Syria, Nigeria, Iraq, and across the world
* The water protection movement at Standing Rock
* Race, police brutality, and protest in the era of Black Lives Matter
* Social media as protest and propaganda
* Pledges of Allegiance
* Border walls
* Speaking out against sexual harassment and assault
* Safe spaces
* Politics of identity
Our past issues have featured the works of Nathaniel Mackey, Bernadette Mayer, Vernon Frazer, Edwin Torres, Jena Osman, and Lydia Davis.
The issue will launch in late March of 2017, in correspondence with the 15th Annual UAlbany EGSO Conference: The Badass, featuring acclaimed poet, essayist, and critic Rigoberto González.
*Translations should be accompanied by source text in original language, and written confirmation that you have English translation rights to the piece.
Contributors’ Rights: By submitting work, contributors permit Barzakh Magazine to publish it on our website, and Barzakh retains first serial rights in our digital issue. Copyright reverts to original author immediately upon publication. Barzakh Magazine retains the right to remove your work from our publication without prior notice.
Michael Leong is the author of the poetry books e.s.p., Cutting Time with a Knife, Who Unfolded My Origami Brain?, and Words on Edge. His creative work has been anthologized in THE &NOW AWARDS 2: The Best Innovative Writing, Best American Experimental Writing 2018, and Bettering American Poetry, Volume 3. His co-translation, with Ignacio Infante, of Vicente Huidobro’s long poem Sky-Quake: Tremor of Heaven is forthcoming from co•im•press in late 2019. His critical monograph Contested Records: The Turn to Documents in Contemporary North American Poetry is forthcoming from the University of Iowa Press in May 2020. He has received grants from the Council of Literary Magazines and Presses and the National Endowment for the Arts. He teaches in the School of Critical Studies at CalArts.