The editorial staff at Barzakh is happy to announce that submissions for Issue 8 are now open!
As a multigenre, interdisciplinary journal with an internationalist stance, Barzakh is looking for
critical and creative works that pry wide the liminal spaces between aesthetic modes, fields, and archives, that plumb the nooks and crannies of experience where the estranged and the
uncanny reside, and which trace and transcend the boundaries that define what we as artists
We want your fiction, poetry, art, criticism—you name it—that pushes against complacent
taxonomies and finds itself well off the beaten path. We define ourselves as an “isthmus,” a
space of crossings and connectivity, between histories, articulations, media—making of these
frontiers a site of play and revitalization.
Our past issues have featured the works of Nathaniel Mackey, Bernadette Meyer, Vernon
Frazer, Edwin Torres, Jena Osman, and Lydia Davis.
Please send all submissions as an email attachment to barzakhmagazine@gmail. com. The
deadline for submission is 3/7/16. The issue will launch with a reading from Elisa Albert at the
UAlbany EGSO 14 th Annual Graduate Conference on April 1 st , 2016.
For more information about Barzakh , please visit barzakh.net.
Michael Leong is the author of the poetry books e.s.p., Cutting Time with a Knife, Who Unfolded My Origami Brain?, and Words on Edge. His creative work has been anthologized in THE &NOW AWARDS 2: The Best Innovative Writing, Best American Experimental Writing 2018, and Bettering American Poetry, Volume 3. His co-translation, with Ignacio Infante, of Vicente Huidobro’s long poem Sky-Quake: Tremor of Heaven is forthcoming from co•im•press in late 2019. His critical monograph Contested Records: The Turn to Documents in Contemporary North American Poetry is forthcoming from the University of Iowa Press in May 2020. He has received grants from the Council of Literary Magazines and Presses and the National Endowment for the Arts. He teaches in the School of Critical Studies at CalArts.