There’s an article in today’s New York Times called “Line by Line, E-Books Turn Poet-Friendly.” In it, Alexandra Alter reports that even though “[m]ost e-readers mangle the line breaks and stanzas that are so crucial to the appearance and rhythm of poetry” publishers of poetry are starting to do a better job preserving the integrity of the line as they remediate print books into digital form.
Last week, for example, Open Road Media published 17 digital collections of John Ashbery’s poetry, “the first time the bulk of his poetry will be available in e-book form.” In contrast, Ecco attempted to put out four Ashbery e-books three years ago and “[t]here were no line breaks, and the stanzas had been jammed together into a block of text that looked like prose.”
Check out Open Road’s promo video for Ashbery below:
Michael Leong is the author of the poetry books e.s.p., Cutting Time with a Knife, Who Unfolded My Origami Brain?, and Words on Edge. His creative work has been anthologized in THE &NOW AWARDS 2: The Best Innovative Writing, Best American Experimental Writing 2018, and Bettering American Poetry, Volume 3. His co-translation, with Ignacio Infante, of Vicente Huidobro’s long poem Sky-Quake: Tremor of Heaven is forthcoming from co•im•press in late 2019. His critical monograph Contested Records: The Turn to Documents in Contemporary North American Poetry is forthcoming from the University of Iowa Press in May 2020. He has received grants from the Council of Literary Magazines and Presses and the National Endowment for the Arts. He teaches in the School of Critical Studies at CalArts.