There was a faint, barely perceptible movement of the water as the fresh flow from one end urged its way toward the drain at the other. With little ripples that were hardly the shadows of waves, the laden mattress moved irregularly down the pool. A small gust of wind that scarcely corrugated the surface was enough to disturb its accidental course with its accidental burden. The touch of a cluster of leaves revolved it slowly, tracing, like the leg of transit, a thin red circle in the water.
It’s from The Great Gatsby, of course, the moment when Gatsby’s body is discovered. I’ve just re-read the novel for the first time in too many years, and what I realised was how often I would read a paragraph and then stop, overwhelmed by how gorgeous the writing is. The way Jordan and Daisy’s clothes billow in the breeze from the window as Nick enters, the memory of a snow-bound mid-West, Fitzgerald has a way of making the ordinary feel magical. It is the tiny detail that just catches the breath: the way that swirling autumnal leaves echo the blood we imagine flowing from Gatsby’s wound. Between readings of the novel I have a vague memory that it is a great book, but it is only when I read it again and re-encounter the glory of the language that I remember why it is so great. It is a book to immerse yourself in, to read aloud slowly. The words touch our senses gently, trigger faint, fleeting sensations of colour and taste and sound and feel that are so subtle you forget the detail the moment you close the novel. But as you turn the pages once more, it is all so immediate and fresh and vivid again. Remind me to re-read this book more often.
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