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Hyperallergic Weekend: Oct 13th

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A painting by Rick Beerhorst
The current issue of Hyperallergic Weekend has a lot of great stuff. I’ve been enjoying John Yau on Rick Beerhorst and Barry Schwabsky’s wonderfully polemical “Why I’m Not Reading Louise Glück.” In the latter, I love this sentence by Schwabsky, which begins at Point A and ends with Point Z (or rather Point X): “Glück is one of the best-known American poets, a native New Yorker who has won just about every prize and honor available — Pulitzer, National Book Critics Circle, U.S. Poet Laureate — and taught at all the famous places to be taught poetry; better still, as I’ve just learned from Wikipedia, her father helped create the X-Acto knife, a tool I’d recommend to every poet who hopes to carve more precise verses out of the thick and messy matter of our speech.”

I’m also in the mix with a review of Lytle Shaw’s Fieldworks: From Place to Site in Postwar Poetics.

Michael Leong is the author of four volumes of poetry, e.s.p., Cutting Time with a Knife, Who Unfolded My Origami Brain?, and Words on Edge, as well as a translation of the Chilean poet Estela Lamat, I, the Worst of All. His poems have appeared in jubilat, Lana Turner, New American Writing, Tin House, Verse Daily, The &Now Awards 2: The Best Innovative Writing, and elsewhere. Excerpts from a new manuscript in progress is forthcoming in Best American Experimental Writing 2018. He is Assistant Professor of English at the University at Albany, SUNY.

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