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Dean Young Poetry Trading Cards from Fact-Simile Editions

Dean_Young_Poet_Trading_Card
Patterned after a 1978 Topps baseball card design, Dean Young’s poetry trading card features a photo by Laurie Saurborn Young and a new poem titled, “The Life of a Poet”.

I was looking at the latest (May 2013) poetry trading card from Fact-Simile Editions and was reminded of something Dean Young said in The Art of Recklessness: Poetry as Assertive Force and Contradiction (Graywolf Press, 2010): “…It is…worth entertaining the notion that the least important time in any workshop is when your own work is being talked about.  It’s called ‘Poetry Workshop,’ not ‘Me Workshop,’ after all.” This is a quote that I’ve repeated a few times in my own workshops. Last semester when I was going through some student assignments–a required review of any poetry reading on campus–I realized how valuable this sentiment is. The first sentence of a student composition began: “I find it very difficult to relate poetry to my everyday life unless I am the author.” Yes: Poetry Workshop, not Me Workshop.

Michael Leong is the author of four volumes of poetry, e.s.p., Cutting Time with a Knife, Who Unfolded My Origami Brain?, and Words on Edge, as well as a translation of the Chilean poet Estela Lamat, I, the Worst of All. His poems have appeared in jubilat, Lana Turner, New American Writing, Tin House, Verse Daily, The &Now Awards 2: The Best Innovative Writing, and elsewhere. Excerpts from a new manuscript in progress is forthcoming in Best American Experimental Writing 2018. He is Assistant Professor of English at the University at Albany, SUNY.

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