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73.36

In case you missed my earlier posts, I’m applying to artist residencies this year, and posting about the experience. The number above is the amount I’ve spent applying to TWO residencies: I-Park and MacDowell. It breaks down thus:

$25.00 = I-Park application, which is thankfully all electronic
$20.00 = MacDowell application, which is electronic, BUT…
$15.84 = 6 copies of work sample at Kinkos (.11/sheet), which must be mailed physically, along with a print out of the electronic app…
$12.52 = cost of 3-Day Air FedEx for all the stuff

I know I could have reduced this cost by using my own printer, and sending Ground instead of 3-day Air, but A) my printer is running super low on ink, so I’d have had to buy another cartridge ($20+ bucks), for which I would have had to run around town, spending roughly $4.00 on the subway, etc., and B) I didn’t want to risk the application getting there late (they don’t guarantee sooner than 10 business days).

Anyway, I think this is a fair assessment of the “true” costs of this kind of thing, which is always more than you think it will be for a variety of reasons–these may be different depending on the circumstance, but they always seem to accumulate. Thank goodness I have to wait until next month before applying to the next one on my list! (I’ve decided against applying to either Hambidge or Ragdale, because I don’t want to pay anything out of pocket but travel expenses.)

  • John Madera is the author of Nervosities (Anti-Oedipus Press, 2024) and Nomad Science (Spuyten Duyvil Press, forthcoming in 2026).  His  fiction is also published in Conjunctions, Salt Hill, Hobart, The &Now Awards 2: The Best Innovative Writing, and many other journals. His poetry is also published in elimae, Sixth Finch, Contrapuntos, and elsewhere. His criticism is published in American Book Review, Bookforum, The Review of Contemporary Fiction, Rain Taxi: Review of Books, The Believer, The Brooklyn Rail, and many other venues. Recipient of an M.F.A. in Literary Arts from Brown University, two-time New York State Council on the Arts awardee John Madera lives in New York City, where he runs Rhizomatic and manages and edits Big Other.

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3 thoughts on “73.36”

  1. reasons for why i’ve considered getting a job at Kinko’s in the past;) and the trees, the TREES !

    1. Well, they’ll return the work samples if you request it. But then there’s the environmental impact of shipment. There’s no real good solution except to “go digital.” It would be both easier and cheaper on artists, and on the environment. But it would (gasp!) require judges to read t-t-t-t-text on the c-c-c-c-computers!

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