Few exceptions aside, the most compelling, challenging, absorbing literary art is being produced by small presses and their respective writers. I asked a number of writers, editors, and publishers to send me a list of small press books to look out for in 2016. Below you’ll find my own list, which is informed by Kate Angus, John Cayley, Lauren Cerand, Samuel R. Delany, Rikki Ducornet, Andrew Ervin, Lily Hoang, Sean Lovelace, Scott McClanahan, Hubert O’Hearn, Jane Unrue, and Curtis White.
Below you’ll also find lists from Jeff Bursey, Tobias Carroll, Gabino Iglesias, Janice Lee, Dawn Raffel, Nick Francis Potter, John Reed, Adam Robinson, Michael Seidlinger, Terese Svoboda, Jason Teal, Angela Woodward, and Jacob Wren. All the abovementioned people are small press heroes and great writers in their own right. My thanks to all of them.
Adventure comic. Artist David B.’s Incidents in the Night unveils a conspiracy that involves the Napoleonic Wars, an ancient god of nothingness, and the enigmatic founder of an anthology that shares the book’s name. Our lead and narrator, meanwhile, shares his name with David B. The in-text David learns of the conspiracy as we do, and a narrative through-line like this—the pursuit of answers—is probably pretty essential to the project’s not going off the rails. David B.’s ambition seems to grow geometrically as the book advances, but Incidents is fundamentally an adventure story, and its strengths and weaknesses wrap around that structure like the snakes of the caduceus.
Bookstore elegy. It reads like one now, anyway. Incidents in the Night was first published twenty years ago in France. In the intervening years, bookstores have diminished in number, in their share of the bookselling market . . . These are things you already know. Our protagonist’s journey begins in a bookstore, and he visits other shops while collecting volumes of the Incidents anthology. Although David B. (the creator) drafted his story at a time when bookstores enjoyed relative security, he imbues these places with a sense of mystery, endless potential—a gesture that grows more poignant with time. Continue reading
Gabrielle Bell is a California-raised cartoonist living in Brooklyn. The Voyeurs, her latest collection of autobiographical comics and the first book-length release from Uncivilized Books, has been called “funny and endearing, even beautiful,” and “a rare glimpse of the fiercely mysterious human heart.” The stories throughout The Voyeurs document everything from the ebb and flow of relationships to the clamor of San Diego Comic-Con to Bell’s struggle to attend a party held in her honor, all with wit, an ear for the languid conversations of longtime friends, and occasional flourishes of the absurd. Bell spoke with me via email, and her replies were much like the vignettes in The Voyeurs: concise, self-deprecating, and dryly funny.
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Online talk surrounding your work is perhaps at an all-time high, with mentions on some widely ready non-comics outlets, as well as sites like The Comics Journal. And funnily enough, I came across those articles immediately after reading chapter one of The Voyeurs, with its section about how hard it can be to stay away from the Internet. How conscious are you of the online chatter?
Have you had to make an effort lately to ignore mentions of yourself online?
No, I mean there’s not THAT much stuff about me on there. And I already know I won’t resist looking at it, so I’m not going to try.
What kind of changes did you have to make while adapting your online material for a print collection?
I did a lot of editing of the narrating and dialogue, reworded sentences, took out many extraneous words and sentences. Sometimes I took out whole panels, sometimes added whole ones in. I think working in film taught me not to be afraid to freely edit. Continue reading