Most Anticipated Small Press Books of 2016!

Few exceptions aside, the most compelling, challenging, absorbing literary art is being produced by small presses and their respective writers. I asked a number of writers, editors, and publishers to send me a list of small press books to look out for in 2016. Below you’ll find my own list, which is informed by Kate Angus, John Cayley, Lauren Cerand, Samuel R. Delany, Rikki Ducornet, Andrew Ervin, Lily Hoang, Sean Lovelace, Scott McClanahan, Hubert O’Hearn, Jane Unrue, and Curtis White.

Below you’ll also find lists from Jeff Bursey, Tobias Carroll, Gabino Iglesias, Janice Lee, Dawn Raffel, Nick Francis Potter, John Reed, Adam Robinson, Michael Seidlinger, Terese Svoboda, Jason Teal, Angela Woodward, and Jacob Wren. All the abovementioned people are small press heroes and great writers in their own right. My thanks to all of them.

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The Special Relationship #3 (a guest post by Jarred McGinnis)

(Read about Episode 1 & Episode 2, + check out the show’s Facebook invite)

…The reason the show is called The Special Relationship is because two of its organizers are American, while two are English. And other Trans-Atlanticness has been occurring: by posting these episode reports on Big Other, the UK-based writers that we’ve invited to perform have gotten some attention from folks back in the States.

All this time, I’ve been trying to figure out how the reverse can work with a live event. How can I expose our London-based audiences to writers and writing from the States? The US authors I like are unlikely to be touring the UK any time soon: Bill Cotter (Fever Chart), Kim Parko (Cure All) or any writer in the Two Dollar Radio stable such as Joshua Mohr (Termite Parade). I had a conversation with Aaron Burch (How to Predict the Weather), and we planned to show a YouTube video of him performing:

…but the quality, when projected, didn’t hold up.

That said, if any of you on the US end of this post have any ideas about how we can involve more US-based writers in the show, I’d love to hear them.

But, for now, onto:

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