Vanity Fair, August 2008 (cover).
I’ve outlined some of the following in my Looking at Movements series of posts (more of which are forthcoming), but here I want to examine the New Wave tradition exclusively, and from a different direction. I’m increasingly fascinated by how that simple two-word term has been used over the past 50 years to describe so many different trends and styles, some of which have been fairly disparate. It’s a label that’s really traveled, and hasn’t finished moving yet.
Owl City: I steal, therefore...
I’ve been thinking about comments that darby and Mike Meginnis made on Amber’s recent post “I Don’t Like Crap Games.” In response, darby wrote:
[…] im saying dont think/worry about what editors want. dont worry about “what they like.” read what you like and write what you like. dont study a journal just to try to get published by them. first, you should love what you write. then you should love what you read. then think about maybe this fits here maybe.
Mike then added:
Yeah, I pretty much agree with Darby’s thinking on this. When editors ask me to figure out what they like I don’t think very much of them. That’s their job. My job is to make what I like. Sure, it’s possible to take that attitude too far, but editors who want fewer submissions can limit their window for slush or etc. I want everyone to submit to Uncanny Valley who wants to so I can choose the best possible, coolest work. I don’t want them worrying in particular about what I want. And I never worry too much about what they want.
I agree with Darby and Mike (and I admire Mike’s editorial stance); I’ve said things like this myself: writers should write whatever they want to write, and damn everyone else’s eyes.
But today I want to try thinking past that thought. Why do I want to write what I want to write? And is it really entirely my decision?
Part 1: The Post-Punk Revival
Part 2: Post-Punk
Part 3: No Wave
Part 4: New Wave (UK)
Part 5: New Wave (US)
What do we talk about when we talk about New Wave? It’s more complicated than post-punk and No Wave, the term having been almost from the start defined more loosely, and applied to a wider variety of musical styles. But let’s dig into it…