‘Basil returned with the two pies. He was wearing the expression of a man who has laid hands on a symbol of his boyhood: it made him look somewhat ponderous.’ This seems a pretty straightforward example of a symbol (pie = boyhood), though the passive construction of those verbs (‘He was wearing’ and ‘it made him look’) must be seen a little warily in the context of ‘Basil’ being the ‘great actor’, Sir Basil Hunter, come back from England to Australia to ease his dying mother into an old folks’ home, secure as much of the loot as he can, and play whatever roles are required. Continue reading
One thing I like about Marina Abramović’s performance – ‘The Artist is Present’- at the MoMA (till May 31st – [see Jac Jemc’s related post here]) is the significance of the dresses she’s been wearing. She alternates between dresses of three different colors – red, dark blue, and white – each pertaining to a mood or energy level she believes will help sustain her at different times throughout the exhibition, which is two and a half months long, and which involves her sitting in silence across from any number of museum visitors almost every day.
Below are pictures of her in the three different dresses. If you click on any of them (during exhibition hours) you’ll be connected to a live streaming video of the performance.