Approximating Diapason (Spuyten Duyvil, 2012) by j/j hastain & t thilleman


In Approximating Diapason, hastain and Thilleman engage in an epic correspondence, creatively paralleling, intersecting, and intertwining their very distinct poetic vocabularies and intelligences. What results is a collaborative treatise on the metaphysics of creativity, the physics of the compositional page, the philosophy and ethics of form, the ontology of ghosts and gods, and the future of the mythographic imagination. But this is just scratching the surface. Much is exchanged and archived in this wide-ranging and interdisciplinary compendium—dreams and their interpretations, drawings and their ekphrastic elaborations, photo-collages as exegetical annotations, allegorical visions and their exfoliating significations, snippets of verse and poetic prose, expressive typography, neologistic harmonizations, memorable autobiographical illustrations, aphoristic declarations (such as “because words are arbitrary capacities, they are really equivocal chambers of the before and after of meaning”), revelatory images (such as “infinite, flopping-but-severed mermaid tails washing up on the shores”), and evidence from both Western and Eastern thought, from sources both scientific and occult—and what holds such sheer disparateness together is the conviction, from both writers, that writing is born from a deep engagement with multiplicity and cosmic diversity. At times, this highly syncretic book reads as if it were out of some science fiction novel narrated in dialogue, as if we were reading characters from another planet conversing about such subjects as aesthetics, psychosocial politics, or new gendered embodiments—but then we realize (with shock, wonder, and gratitude) that they are, indeed, of this world. Alternately, it reads as if it were a monumental transcript prepared for a time capsule, an edifying text for when the aliens come—but then we realize that we are, in fact, the aliens, and that this book has been saying to us all along: welcome to our world.

Publication Date: May 02 2012
ISBN/EAN13: 1881471012 / 9781881471011
Page Count: 346
Binding Type: US Trade Paper
Trim Size: 8.5″ x 8.5″
Language: English
Color: Full Color with Bleed
Related Categories: Literary Collections / Letters

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Guest Post: Eric Beeny reviews Carol Novack’s Giraffes in Hiding

Review of Giraffes in Hiding: The Mythical Memoirs of Carol Novack

by Eric Beeny

Giraffes in Hiding is Carol Novack’s first full-length collection of stories. Here we see Novack’s prose gliding effortlessly through stream-of-consciousness narratives into childlike realms of imagination with sly, refreshingly subversive and indignant humor while being highly critical of both political and literary establishments. Novack’s “mythical memoirs” depict the private, innocent perceptions of childhood translated through the horrors of loss and abuse while ultimately exploring humanity’s relationship to the natural world and, indeed, critiquing the organized society humanity has erected around itself.

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