Gary Lutz, a masterful prose stylist, is the author of three short-story collections: Stories in the Worst Way, I Looked Alive, and Partial List of People to Bleach. A fourth, Divorcer, is forthcoming from Calamari Press. On July 14th, he will be reading at the Soda Series in Brooklyn with Mary Caponegro and Tim Horvath. From my forthcoming review of I Looked Alive:
Unlike most people’s stories that appear clean and remedial in their telling, Lutz’s have already been lived in, occupied for a long time, and they have a stifling air similar to the curmudgeon’s den in Beckett’s Krapp’s Last Tape, where no one dusts, no one keeps house, and the whole enterprise stinks with the ancient odor of paper and page. Their minds ragged and rugged from overburn, Lutz’s unloved, unlived, destitute narrators squawk their findings: “It is said, isn’t it, that you “make” love because it’s otherwise not really there?” (“I Have to Feel Halved” p.45)
In this interview, we spoke mainly about his new story in the 2011 NOON, “To Whom Might I Have Concerned?” A wonderment of dazzling sentences and rigorous thought, it is 27 pages, one of his longest stories.
Our fifth reading and conversation is Sunday with Nick Ripatrazone, Robin Beth Schaer, Brenda Shaughnessy and Anthony Tognazzini. You can RSVP here.
Our sixth will be on March 20th with Michael Leong, Mike Young, Dylan Landis, and Janice Shapiro.
Upcoming readers include Steve Himmer, Joseph Riipi, Tim Horvath and Gary Lutz.
Nick Ripatrazone is the author of Oblations (Gold Wake Press 2011), a book of prose poems. His work has appeared in Esquire, The Kenyon Review, West Branch, The Mississippi Review, Sou’wester, The Collagist and Beloit Fiction Journal. He will graduate from the MFA program at Rutgers-Newark in May.
Robin Beth Schaer’s poems have appeared in Barrow Street, Denver Quarterly, Washington Square, Tin House, and
Prairie Schooner, among others. She has received fellowships from the Virginia Center for the Creative Arts and the Saltonstall Foundation. She teaches at Marymount Manhattan College and works as a deckhand aboard the Tall Ship Bounty.
Brenda Shaughnessy was born in Okinawa, Japan, in 1970 and grew up in Southern California. She received her B.A. in literature and women’s studies at the University of California, Santa Cruz, and she earned an M.F.A. at Columbia University. She is the author of Human Dark with Sugar (Copper Canyon Press, 2008), winner of the James Laughlin Award from the Academy of American Poets, and Interior with Sudden Joy (Farrar, Straus & Giroux, 1999), which was nominated for the PEN/Joyce Osterweil Award for Poetry, a Lambda Literary Award, and the Norma Farber First Book Award. Her poems have appeared in Best American Poetry, Bomb, Boston Review, Conjunctions, McSweeney’s, The New Yorker, The Paris Review, The Yale Review, and elsewhere.
Anthony Tognazzini’s work has appeared in Denver Quarterly, Sentence, Hayden’s Ferry Review, Quarterly West, the Hat, and the Alaska Quarterly Review, among other journals. His collection, I Carry A Hammer in My Pocket for Occasions Such As These, is available from BOA Editions. He lives in Brooklyn.