The name “Viktor Shklovsky” comes up a lot at this site (I’m guilty of mentioning it in perhaps half of my posts), and one might wonder why the man and his work matters. Below, I’ll try and lay out what Viktor Shklovsky has done for me, and what he might be able to do for you, too! Because Shklovsky might be the single most interesting and, above all else, useful critic I’ve ever encountered…
A D: Much like how you hated The Tree of Life, Jeremy, I hated Bryan Singer’s two X-Men films. Hated them!
Jeremy: What, seriously? They made you physically ill?
Yes, seriously, ill. I would have gnawed my own arm off to escape, if it hadn’t meant forfeiting my malt balls.
[Drumming our fingers on the tabletop, humming along to Debbie Gibson, we contemplated just walking out on our waitress, when Jeremy remembered a Payday he had in his pocket. Passing it back and forth, we resumed our conversation.]
Jeremy: All this work, and still no appetizers. So we might as well talk about Kenneth Branagh, as this feeling of weary emptiness reminds me so much of his films …
A D: I remember adoring his Dead Again. I saw it on VHS, not too long after it came out. I had to pause it halfway through, I got so excited. I was, I think, all of sixteen.
In two days, I’ll be posting the first installment of a new ongoing series at Big Other: conversations I’ve had with my good friend Jeremy M. Davies about movies, new and old, both popular and obscure. It will be called “A D & Jeremy Talk about Movies” (unless we can think of a better title).
This Monday, and on the following two Mondays (the posts will be in clusters of three), we’ll discuss Source Code, Thor, Uncle Boonmee Who Can Recall His Past Lives, and many other films (including Sucker Punch, The Man from London, Tron, Tron Legacy, Willow, and Zardoz). In the weeks after that we plan to talk about Captain America, Green Lantern, X-Men: First Class, as well as movies by lesser-known directors like Jacques Rivette, Eugène Green, Agnès Varda, and Jean-Marie Straub and Danièlle Huillet (Jeremy really likes foreign films). And the new Woody Allen film. We’ll also probably talk endlessly about Scott Pilgrim vs. the World, because we both love it just so much. And throughout we’ll discuss the current state of the film industry. And comic books, which are synonymous with cinema these days.
Hello and welcome to 2011. Time to make a list of what I liked and didn’t like in 2010. A word though first: I don’t consider the following definitive; I’m not trying to pronounce some final judgment on each of the following films. In ten year’s time, I might feel very differently about these movies; who knows? But I think it’s worthwhile to document one’s critical impressions, and I’d encourage you to check out the films I liked (if you value my opinion).
For comparison’s sake, here’s my 2009 list [and 2011 is here]. One correction I’d make now: I saw Jane Campion’s Bright Star a second time, and it’s become one of my favorite films of 2009 (alongside Beaches of Agnes and Face).
Like last year’s list, the following is divided into three parts: my absolute favorite new films, other films that I liked, and the ones that did little or nothing for me. Without further ado…
[This can be considered a response to this post, and its comments thread.]
You’ve just become the fiction editor of a small journal. You open your email and see that you’ve received 1,000 unsolicited submissions. The first ten were sent by:
- Carlos Shirley
- Jeanne Goss
- Jack Livingston
- Christine Stribling
- Melissa Mathieu
- Benjamin Tatro
- Tao Lin
- Ryan Monk
- Naomi Foltz
- Matthew Orosco
Which one do you open and read first?