Most Anticipated Small Press Books of 2016!

Few exceptions aside, the most compelling, challenging, absorbing literary art is being produced by small presses and their respective writers. I asked a number of writers, editors, and publishers to send me a list of small press books to look out for in 2016. Below you’ll find my own list, which is informed by Kate Angus, John Cayley, Lauren Cerand, Samuel R. Delany, Rikki Ducornet, Andrew Ervin, Lily Hoang, Sean Lovelace, Scott McClanahan, Hubert O’Hearn, Jane Unrue, and Curtis White.

Below you’ll also find lists from Jeff Bursey, Tobias Carroll, Gabino Iglesias, Janice Lee, Dawn Raffel, Nick Francis Potter, John Reed, Adam Robinson, Michael Seidlinger, Terese Svoboda, Jason Teal, Angela Woodward, and Jacob Wren. All the abovementioned people are small press heroes and great writers in their own right. My thanks to all of them.

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A David Bowie of Literature?

Is there a David Bowie of literature?—such an asinine question, as dumb as asking, “Is there a Virginia Woolf of music?”—arguing against it arguably as asinine as answering it at all, even on its own terms, which is to say, which “David Bowie”? which “literature”?; not to mention the problem of even locating a “there” with any kind of certainty, and of establishing what and/or where or whatever “Is” in this case is.

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You Must Remember This, a Hiss Is Just a Hiss

Whenever I hear someone say that a written word, like “said,” is invisible, I usually cringe, since I don’t think of anything written as invisible, even in a metaphorical sense. But this is not that essay. On the surface, this short essay is about dialogue tags, but it’s also about how so-called masters, and even masters, can lead you astray.

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Over Forty Writers Over Forty to Watch

Writing the title of this post actually felt very silly; it seems such an arbitrary way of gathering a list of writers to look out for. What could be sillier than singling out writers in this way, according to their age? Surely, there are more worthy criteria. Well, there is an answer to what could be sillier than singling out over forty writers over forty to watch, namely, singling twenty writers under forty to watch, especially largely mainstream writers writing, for the most part, conventional and redundant fiction. And the New Yorker has done just that. But this isn’t surprising. Theirs is an idea once again institutionalizing, reinforcing our decayed culture’s obsession with youth, not to mention its eyes wide shut wallowing in mediocrity. So, not only have they missed, for the most part, who are the best fiction writers under forty to watch, but, with their unapologetic valorization of youth, they missed entirely. The following writers (and I include poets, essayists, and theorists among them) are writers who have consistently written great work. I anticipate great things from each of them in the years and years to come. With full awareness of how a corrective sometimes ironically and paradoxically legitimizes what it seeks to correct, here, in the order in which I thought of them, are over forty writers over forty whose work I will be busy watching.

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