Experimental Fiction as Genre and as Principle

Christopher Higgs at HTMLGIANT recently posted this question: “If you were teaching a class on American experimental fiction, what texts would you choose, and why?” He went on to list a set of possible books for an “Introduction to American Experimental Fiction” course:

Ishmael Reed – Mumbo Jumbo
William S. Burroughs – The Soft Machine
Kathy Acker – Blood and Guts in High School
Carole Maso – Aureole
Jean Toomer – Cane
David Markson – This Is Not A Novel
Gertrude Stein – Tender Buttons
Ben Marcus – The Age of Wire and String

This post won’t be about adding or subtracting books from his list (although I’d suggest Markson’s Wittgenstein’s Mistress over This Is Not a Novel, and Carole Maso’s The Art Lover or AVA over Aureole.) Rather, I want to talk about experimental fiction as a genre.

Because Chris’s question reminds me of a debate that comes up frequently in US experimental film circles…

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Brevity, Part 6: Roundhay Garden Scene, ctd.(well, it’s short)

Roundhay Garden Scene is hardly the only short film that transcends its brief running time. Here are seven other shorts whose impacts are much larger, and last much longer, than their respective running times might indicate.

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