Few exceptions aside, the most compelling, challenging, absorbing literary art is being produced by small presses and their respective writers. I asked a number of writers, editors, and publishers to send me a list of small press books to look out for in 2016. Below you’ll find my own list, which is informed by Kate Angus, John Cayley, Lauren Cerand, Samuel R. Delany, Rikki Ducornet, Andrew Ervin, Lily Hoang, Sean Lovelace, Scott McClanahan, Hubert O’Hearn, Jane Unrue, and Curtis White.
Below you’ll also find lists from Jeff Bursey, Tobias Carroll, Gabino Iglesias, Janice Lee, Dawn Raffel, Nick Francis Potter, John Reed, Adam Robinson, Michael Seidlinger, Terese Svoboda, Jason Teal, Angela Woodward, and Jacob Wren. All the abovementioned people are small press heroes and great writers in their own right. My thanks to all of them.
I hope that those of you in the Chicagoland area can make it out to a release party and reading for my first book, Amazing Adult Fantasy:
Friday, 3 June, 7–9pm | New Wave Coffee, 3103 W. Logan Blvd. / 2557 N. Milwaukee Ave., Logan Square, Chicago | 773-489-0646
There will be readings by:
Jeremy M. Davies, flexing en route to the cineplex
In two days, I’ll be posting the first installment of a new ongoing series at Big Other: conversations I’ve had with my good friend Jeremy M. Davies about movies, new and old, both popular and obscure. It will be called “A D & Jeremy Talk about Movies” (unless we can think of a better title).
This Monday, and on the following two Mondays (the posts will be in clusters of three), we’ll discuss Source Code, Thor, Uncle Boonmee Who Can Recall His Past Lives, and many other films (including Sucker Punch, The Man from London, Tron, Tron Legacy, Willow, and Zardoz). In the weeks after that we plan to talk about Captain America, Green Lantern, X-Men: First Class, as well as movies by lesser-known directors like Jacques Rivette, Eugène Green, Agnès Varda, and Jean-Marie Straub and Danièlle Huillet (Jeremy really likes foreign films). And the new Woody Allen film. We’ll also probably talk endlessly about Scott Pilgrim vs. the World, because we both love it just so much. And throughout we’ll discuss the current state of the film industry. And comic books, which are synonymous with cinema these days.
Let’s consider the truth behind advertising.
[This can be considered a response to this post, and its comments thread.]
You’ve just become the fiction editor of a small journal. You open your email and see that you’ve received 1,000 unsolicited submissions. The first ten were sent by:
- Carlos Shirley
- Jeanne Goss
- Jack Livingston
- Christine Stribling
- Melissa Mathieu
- Benjamin Tatro
- Tao Lin
- Ryan Monk
- Naomi Foltz
- Matthew Orosco
Which one do you open and read first?
I’ve read over 120 books in 2009, and by the time the year is up I’ll have reviewed over fifty. At the risk of being redundant, I’ve put together a list of the books I thought were this year’s best. I’ve also included links to the ones I reviewed. But before that, I should mention some great books that weren’t published this year: Eugene Lim’s Fog & Car, Eugene Marten’s Waste, Mary Caponegro’s first three books, Ken Sparling’s Dad Says He Saw You at the Mall, Ursula K. Le Guin’s Lavinia, and Michael Kimball’s The Way the Family Got Away and Dear Everybody. And then there’s Shane Jones’s The Failure Six, David Shields’s Reality Hunger, and Ander Monson’s Vanishing Point, all of which won’t be released until next year. By the way, while the so-called major presses churned out a whole lot of fluff I did enjoy John Haskell’s Out of My Skin and Anne Michaels’s The Winter Vault. Oh, and I should mention The Complete Cosmicomics, by Italo Calvino which is playful and inventive in that inimitably Calvino way. Each chapter is a combination of pseudo-science (as far as I can tell) and fantasy—a weird mishmash of fable and fact. They sound like entries from an encyclopedia sometimes, albeit a whimsical one. This was the best way to close out the year. So, besides beautifully-crafted language, eddying narratives, evocative imagery, and provocative characters—whose quirks, thoughts, and comings and goings remain with me—what the books on this list have in common is that they were published by independent presses.