“A conversation is a journey, and what gives it value is fear.” So says Anne Carson.
Exits Are is a series of text adventures conducted by Mike Meginnis published on Mondays and Wednesdays by Artifice Books and Uncanny Valley. So far, adventures from Blake Butler, Tim Dicks, and Matt Bell have gone up, and the list of forthcoming adventures keeps growing (but, at this point, includes Aubrey Hirsch, Nicolle Elizabeth, AD Jameson, Brian Oliu, Elisa Gabbert, and Robert Kloss). The site’s PLAY page has one of the better descriptions of the project I’ve come across: “Note that the games are designed to be occasionally very uncomfortable for both participants. If you’re not up for that, we probably shouldn’t play.”
I was intrigued by the form and the process, and asked Mike a few questions back in January (thus my boring talk of Zelda). He was kind enough to respond. Continue reading
Owl City: I steal, therefore...
I’ve been thinking about comments that darby and Mike Meginnis made on Amber’s recent post “I Don’t Like Crap Games.” In response, darby wrote:
[…] im saying dont think/worry about what editors want. dont worry about “what they like.” read what you like and write what you like. dont study a journal just to try to get published by them. first, you should love what you write. then you should love what you read. then think about maybe this fits here maybe.
Mike then added:
Yeah, I pretty much agree with Darby’s thinking on this. When editors ask me to figure out what they like I don’t think very much of them. That’s their job. My job is to make what I like. Sure, it’s possible to take that attitude too far, but editors who want fewer submissions can limit their window for slush or etc. I want everyone to submit to Uncanny Valley who wants to so I can choose the best possible, coolest work. I don’t want them worrying in particular about what I want. And I never worry too much about what they want.
I agree with Darby and Mike (and I admire Mike’s editorial stance); I’ve said things like this myself: writers should write whatever they want to write, and damn everyone else’s eyes.
But today I want to try thinking past that thought. Why do I want to write what I want to write? And is it really entirely my decision?