Gertrude Stein Strikes Again

It has been quite a few months for Gertrude Stein. Since Kathy Bates’ appearance as her in Woody Allen’s Midnight in Paris, Dalkey Archive Press has experienced record sales of Stein’s “The Making of Americans,” a 925-page behemoth. The Seeing Gertrude Stein Exhibit has been in San Francisco and Washington DC and on Feb. 28th The Steins Collect: Matisse, Picasso, and the Parisian Avant-Garde opens at the Met in NYC. Now Yale University Press has just released Ida: A Novel and Stanzas in Meditation: The Corrected Edition. The history of the latter is fascinating:

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A D & Jeremy Talk about Movies: Midnight in Paris (and other recent Woody Allens)

[Last weekend, en route to Madagascar, Jeremy M. Davies swung by my Chicago atelier to hear my neighbor perform Mahler’s “Quartet for Strings and Piano in A Minor” on his singing saw. Fifteen minutes in, two other friends stopped by, bearing bootleg DVDs of three new films: Midnight in Paris, The Tree of Life, and X-Men: First Class. The singing saw forgotten, I fired up my video projector, and a marathon viewing ensued. Hours later, our guests departed, Jeremy and I recorded the following conversation.]

A D: Jeremy, when did you give up on Woody Allen?

Jeremy: Small Time Crooks.

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Announcing a New Big Other Series: “A D & Jeremy Talk about Movies”

Jeremy M. Davies, flexing en route to the cineplex

In two days, I’ll be posting the first installment of a new ongoing series at Big Other: conversations I’ve had with my good friend Jeremy M. Davies about movies, new and old, both popular and obscure. It will be called “A D & Jeremy Talk about Movies” (unless we can think of a better title).

This Monday, and on the following two Mondays (the posts will be in clusters of three), we’ll discuss Source Code, Thor, Uncle Boonmee Who Can Recall His Past Lives, and many other films (including Sucker Punch, The Man from London, Tron, Tron Legacy, Willow, and Zardoz). In the weeks after that we plan to talk about Captain America, Green Lantern, X-Men: First Class, as well as movies by lesser-known directors like Jacques Rivette, Eugène Green, Agnès Varda, and Jean-Marie Straub and Danièlle Huillet (Jeremy really likes foreign films). And the new Woody Allen film. We’ll also probably talk endlessly about Scott Pilgrim vs. the World, because we both love it just so much. And throughout we’ll discuss the current state of the film industry. And comic books, which are synonymous with cinema these days.

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