Guest Post: Carrie Hunter–J/J Hastain and the Biomimetic Unicorn

In a womb-shaped wormhole, j/j hastain examines postmodernities of gender through the central iconography of the unicorn. If a wormhole is phallic, a womb-shaped phallus situates us at the beginning of a new gendering. Here we encounter the erotic as path, as activism; birth into the new virginity. The earth moves, “a tectonic-mid,” not letting the new arise so much as a concurrency with it (17). The omen, the portent “turns psychic roughage/ into emotional and physical/ alcoves” (19). We are slowly introduced to the unicorn, not the well-known unicorn of classical myths, but as a new unicorn born out of a new site of gender depolarizations. Here we have the classical view of feminine purity mixed with the phallic horn. Amongst the multiple representations of gender depolarizations, we see the “femme swagger,” (23) “female semen,” (54) and “the vascularity of surplus/ and need” (58). How the vein is both phallic and womb-reminiscent as it carries one thing to the other is receptacle-like.

“like plasma

as

savory gelatin” (60)

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Dante 2020-3: Cleansing as Carnival, Tree as Anchor.

Twice in recent days, I’ve posted stages in a developing idea about Dante’s Divine Comedy.  The work is coming up on its 700th birthday, yet its impact seems greater than ever, and we have to ask why.  My own answer appeared first, in different form, in Southwest Review.  Now, we climb towards salvation, led on by William Blake’s depiction of a bizarre parade from Purgatory .

The closing of this canticle offers no small assortment of the strange.  The phantasmagoric charade up in the Earthly Paradise, in Cantos XXIX, XXX, and XXXII, present Christianity as acid trip, the faith in hallucinatory allegory.  Continue reading