Brevity, Part 2: Long Takes

Some of us have been discussing long takes in movies, and John mentioned that he’d like seeing a list of films that consist primarily of the beautiful things. So here is a start at such a list. (And here is another one, which like this list embeds many YouTube clips, such as the magnificent opening shot Orson Welles’s Touch of Evil (1958), the homage Robert Altman pays it in The Player (1992), and many others—including some overlap.)

But first: What’s the value in the long take?

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