ON FIRST REFORMED (Spoilers)
The form perfectly matches the content. And so, with First Reformed, Paul Schrader has done it, just as Henry Jaglom, another disciple of greater directors, was able to hit jackpot once with Deja Vu. William Gass said if tragedies weren’t tragic, no one would go to them, but these days if a serious film doesn’t “speak” to the issues of the day (how the issues of certain human beings are greater than others is a different discussion) it is pretty much DOA. First Reformed is concerned with everything we worry about today—including race, but in an offhand way—without blatantly stacking the deck, as a film like American Beauty does. It promises to be a tragedy and even though it turns out not to be, there is still catharsis in its last second Ordet-like save, and I don’t mean because some in the audience think the priest is dead and imagines being saved. “Nothing matters but the quality of affection,” Ezra Pound wrote in Canto LXXVI. What is the quality of affection in that swirling rapturous kissing between the priest and the pregnant widow? Carnality, like in Ordet? It might not matter if it proves affection is still possible. Continue reading
Ben Tanzer is everywhere.
And now he is here for the most recent in what has clearly become an occasional series of interviews. That’s right, this Chicago man-about-town and publishing champion submitted to the grueling e-mail mindslog known to you as The Big Other interview.
Davis: Answer a banal question you might imagine a novice interviewer might ask?
Ben: I am wearing pants. Drinking coffee. Listening to The Avett Brothers. And wearing pants. It’s not even like I think of that as a requirement of this interview or any interview. Especially as I sit here at my kitchen table with the heat pouring over me like a wave of steamy goodness. But for the record. Pants on. Completely.
Davis: You seem to publish a book every three months or so, and not one of these is a Green Lantern, if you catch my meaning…
Ben: 2011 was a really good year for me in terms of writing. Having had a series of things come out over the course of the year, I felt self-conscious about it, though I’m proud of all the work. I’m thrilled that there’s interest from publishers and readers, but there’s some discomfort, too. Some of it is about how the release of the work is staggered. You write and write and you don’t know when things will actually pop. I suppose it’s like Ryan Gosling having three movies out this year. And no, I’m not really comparing myself to Ryan Gosling. For example, he’s Canadian, so right there you have that..