If I were in the NYC area on March 5th, I would try to go to this:
Saturday, March 5, 2011; 2 – 3:30 pm
On the weekend of what would have been Cha’s 60th birthday (a full life cycle event in the Chinese/Korean lunar calendar), Belladonna* and Kundiman gather nine poets to perform a staged reading from Dictee. Cha’s best known written work, Dictee focuses on the life of several women framed with the art of the Greek muses, yet in the cosmos of Shamanism and Daoism. Their struggle to speak and overcome suffering is enacted through a mixture of media which destabilizes the notion of a progressive and seamless history.
Participants to include: Anne Waldman, Tamiko Beyer, Sarah Gambito, Laura Hinton, Cathy Park Hong, Soomi Kim, Nathanaël, Alison Roh Park, Sina Queyras, Jen Shyu, Zhang Er
Join us for an afternoon of projected images, voices, pictorial characters, scholarly contextualization, a birthday cake, and surprises.
Event is being filmed for Woo Jung Cho’s documentary on Theresa Hak Kyung Cha, The Dream of the Audience.
Curated by Cara Benson and Sarah Gambito
When: Saturday, March 5
Door: 1:40pm; Show: 2pm to 3:30pm [PROMPT]
Where: Bowery Poetry Club, 308 Bowery, NYC
One of the books I took with me here to Glasgow was Theresa Cha’s Exilée and Temps Morts: Selected Works. It’s my second copy; I had to buy this book again online because it was one book in a massive box of books that disappeared in transit to me between California and England, when I first moved to London, where I no longer live. The books were lost during the Royal Mail strike, so I comforted myself with the knowledge that at least they were lost for a good cause. I like to think that some striking postal workers were tearing open my box of books and reading Derrida’s Le monolingualism de l’autre or Shklovsky’s Zoo: Or Letters About Love, which was one of my favorite books—the actual, specific body of that one book—ever. I bought it again, it’s not the same. There were books in there whose skins I will never again be able to retrieve, books the buying and having of which were totally suffused with the people who bought them and had them with me, next to me, for me. The tracks of love that were in these books. People I loved who are now dead.
You might call Democracy Now! a peoples’ history of the United States and the world, as it provides its “audience with access to people and perspectives rarely heard in the U.S.corporate-sponsored media, including independent and international journalists, ordinary people from around the world who are directly affected by U.S. foreign policy, grassroots leaders and peace activists, artists, academics and independent analysts.”
I’ve listened to this program for many years now, and I’m always impressed by its coverage and its fairness and accuracy, not to mention its progressive slant. So, thanks, Amy Goodman, Juan Gonzalez, and everyone at Democracy Now!