Highlights from Artifice Magazine, Issue One

It’s always nice to get a beautiful art object in the mail, and so I was happy to receive Artifice Magazine, Issue One with its classy satin cover and embossed title, and, more importantly (I soon learned), its content, content that mirrors the form in which it’s contained.

Christopher Phelps’s “Word†” is a playful, reflexive piece, drawing attention to itself as an artifact, to its artifice. As such, it’s the perfect introduction to this new journal:

This footnote would like to apologize for being in the rain shadow Word saw,
looking down, relieved to be for a few apical moments,
wordless.

Susan Slaviero’s poems “Phenomena of Probability” and “Pandora’s Robot” are texts as much marked by their rugged formal textures as for their concern with ribcages and wire-riggings; and with robots. And there’s mention of mermaids in the former and “milkdrowned homunculi” in the latter. From “Phenomena of Probability”:

Theoretically, there’s a way to create a ribcage from guitar strings, to
fashion jawbones from vintage bracelets. It so happens that a female
form is best woven from titanium knitting needles, peppermint hips,
the ends of French cigarettes…

Language is made flesh here; it’s a place where a woman “is a semicolon.” And in “Pandora’s Robot,” after “the brass plate over her sternum” is opened, the robot “let[s] out language. / Let[s] out codes / like apocalypse, alchemy, calculus.”
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Look at this fucking writer: Cynthia Reeser

August, 1979: It was a day much like any other day. I had recently been attempting to facilitate a meeting with my clients in Philadelphia when I learned of the merger that would soon encroach upon my company’s assets. “We have no time to waste,” I said to my secretary. “Get the New York account on the line.”

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