Embedding oneself in The Ambassadors by Henry James is like reading little else. Every time I take book in hand again, an unending endoscopy of my perceptions proceeds until I shut it. Take this section of beauty from a quarter of the way through. Strether, the main character, is talking to Madame de Vionnet—a woman who has some hold on Chad. This young man is the son of Mrs. Newsome. It is she who has dispatched Strether to Paris to see what is keeping her son there—she wants him to return to Massachusetts and take over the family business. Mrs. Newsome is also Strether’s love interest and it is probable he will marry her if he succeeds in getting her son back to the old USA:
Writing the title of this post actually felt very silly; it seems such an arbitrary way of gathering a list of writers to look out for. What could be sillier than singling out writers in this way, according to their age? Surely, there are more worthy criteria. Well, there is an answer to what could be sillier than singling out over forty writers over forty to watch, namely, singling twenty writers under forty to watch, especially largely mainstream writers writing, for the most part, conventional and redundant fiction. And the New Yorker has done just that. But this isn’t surprising. Theirs is an idea once again institutionalizing, reinforcing our decayed culture’s obsession with youth, not to mention its eyes wide shut wallowing in mediocrity. So, not only have they missed, for the most part, who are the best fiction writers under forty to watch, but, with their unapologetic valorization of youth, they missed entirely. The following writers (and I include poets, essayists, and theorists among them) are writers who have consistently written great work. I anticipate great things from each of them in the years and years to come. With full awareness of how a corrective sometimes ironically and paradoxically legitimizes what it seeks to correct, here, in the order in which I thought of them, are over forty writers over forty whose work I will be busy watching.