[You click this link, you go back to the first installment, which found me and Jeremy unable to get service at an Applebee’s, following a screening of Duncan Jones’s Source Code. Increasingly hungry, increasingly desperate, we debated the nutritional value of our napkins and tablecloths, before Jeremy remembered that Applebee’s coats all such textiles in an indigestible plastic (to prevent sullen teenagers from rending or defiling them). Our gazes fell upon the Awesome Blossoms sizzling on our various neighbors’ tables.]
A D: Let’s keep talking about movies; it’ll distract us.
Jeremy: Capital! I liked Source Code better than Thor, I’d say (though not so much as Ang Lee or Bill Bixby’s Hulks). Because Source Code is a nice little movie. Though not as nice or little as Moon, Duncan Jones’s debut.
This is somewhat late to the party, but three years later I still haven’t seen this argument made anywhere else, so here goes.
Many critics have noted that Daniel Day-Lewis‘s performance in There Will Be Blood (2007) drew heavily from his fellow Irishman John Huston‘s turn in Chinatown (1974). See, for instance, here, here, here, and here. Or just compare for yourself:
…But that is only one level of mimicry. Paul Thomas Anderson’s feature itself is loosely based, structurally, on Stanley Kubrick’s 2001: A Space Odyssey (1968).
Now, I’m not claiming that Anderson consciously aped Kubrick’s masterpiece. And I don’t want to suggest that the films share identical or even similar plots (although there are some points of comparison). Rather, it is the manner in which There Will Be Blood presents its respective story that it borrows from 2001.