By Gabriel Blackwell Narrative is a container, a relatively narrow runnel into which we decant the weather-purified stuff of…
Dante 2020-6: Tower, Tree, Candle, & the Triumph of the Fragile.
The Divine Comedy has its end, after 3X9 spirals rendered in 100 evenly distributed cantos, and it’s about time my…
Dante 2020-5: the Intimate Erases the Monolith.
BIG OTHER, gracious blog, has been letting me post my ideas about Dante’s Divine Comedy. The basic question: Why should…
Dante 2020-4: Big Lights & Small Grapple in Paradise.
Three times, recently, I’ve posted my ideas about Dante’s Divine Comedy. I’m exploring why a long poem coming up on…
Dante 2020-3: Cleansing as Carnival, Tree as Anchor.
Twice in recent days, I’ve posted stages in a developing idea about Dante’s Divine Comedy. The work is coming up…
Dante 2020-2: Nothing so Claustrophobic as a Castle
A couple of days back, I posted the first of my thoughts about Dante’s Divine Comedy. With the 700th anniversary…
Good Old NeonLeaks: Transparency in Politics and Literature
The WikiLeaks story is dramatic on so many levels, with a character at center stage, Julian Assange, worthy of Shakespeare:…
Only a Loose Stevens Connection
I’ll be the first to admit I’m not playing with a full deck—mine’s missing the eight of clubs and the…
Spawn of Stevens
A monster is known by its spawn. Or that’s one way we know a monster, at least, and few presences…
Blogging the Hugos: Decline, Part 1
When I set out to blog this year’s Hugo shortlisted novels, I imagined something conventional like a separate post on…