“What the work of art looks like isn’t too important.” Sol LeWitt 1. If I close my eyes, I cannot…
Sunday Night Special: Diana Salier, Penny Goring, Chris Dankland
What I Say When You Ask What I’m Up To from Daniel Lichtenberg on Vimeo. Ham & Cheese from Penny…
Guest Post: Noah Cicero: Thoughts on Justin Taylor’s The Gospel of Anarchy
The Gospel of Anarchy has already been reviewed by major places like the New York Times, I don’t think there…
Guest Post: Noah Cicero: Review of Everything’s Fine by Socrates Adams
In America we would call the lead character Ian of Everything’s Fine ‘work douche.’ Ian is a person that loves…
Guest Post: Carrie Hunter–J/J Hastain and the Biomimetic Unicorn
In a womb-shaped wormhole, j/j hastain examines postmodernities of gender through the central iconography of the unicorn. If a wormhole…
Newfound Footage from Stephen Elliott’s Shining Postscript and the Politics of Reading “Adrien Brody”
“It never ceases to startle me that a brilliant thinker can be such a bad writer. It challenges some of…
Marie Calloway, My Lover (Or How I Learned To Stop Worrying and Just Love Tao Lin)
I recently wrote an article about failure. The text received moderate attention. I was glad about that. I like attention.…
Our Natural Bent for Destruction and the Rights to Failure
“Is there an art that is dangerous? Yes. It is that art which upsets the conditions of life.”–Charles Baudelaire. What…
We would gladly have repainted the trees and the sky
Peter Greenway’s film A Zed & Two Noughts (A.K.A. Z00) [1985] begins with a swan crashing into a car, killing…