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"[B]eauty is a defiance of authority."—William Carlos Williams

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January 31, 2010May 19, 2012 - Uncategorized

Tiny Shocks: Uncovering the Reductive Plot of James Wood’s How Fiction Works

[Update: As if this post weren’t long enough, there’s now a Part 2.] On January 22, I read Shya Scanlon’s…

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January 27, 2010April 30, 2011 - Uncategorized

Uncover Your Tracks: A Preliminary Critique of James Wood’s How Fiction Works

Shya posted something two days ago about James Wood’s How Fiction Works, in which Wood advocates the use of “free…

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January 26, 2010April 29, 2010 - Uncategorized

Postmodernist Identity, part 1: IPCRESS, Bond, Austin Powers, and G.I. Joe

OK, time to get really geeky. Paul’s recent post mentioning Len Deighton’s The IPCRESS File (1962) jostled a few thoughts…

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January 25, 2010 - Uncategorized

Why Genre Will Prevail, in Peace and Freedom from Fear, and in True Health, through the Purity and Essence of Its Natural Fluids, God Bless You All

re: John M. recently quoting something that Paul wrote at his blog, and re: Roxane’s recent post and the resulting…

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January 23, 2010December 29, 2011 - Uncategorized

Reading Frank Miller’s Batman: The Dark Knight Returns, part 1

Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Part 8…

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January 22, 2010April 30, 2011 - Uncategorized

Brevity, Part 6: Roundhay Garden Scene, ctd.(well, it’s short)

Roundhay Garden Scene is hardly the only short film that transcends its brief running time. Here are seven other shorts…

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January 21, 2010 - Uncategorized

Brevity, Part 5: Roundhay Garden Scene

This is Roundhay Garden Scene, the oldest surviving movie shot on film:

January 15, 2010April 30, 2011 - Uncategorized

Notes on Twee, part 1: Music Videos as School Plays

1993: Crash Test Dummies: “MMM MMM MMM MMM”, director unknown.

January 15, 2010April 30, 2011 - Uncategorized

Brevity, Part 4: Journal Titles

January 10, 2010 - Uncategorized

Brevity, Part 3: Long Takes Continued (well, they’re long)

While writing my previous post, I grew aware that I wasn’t mentioning any women filmmakers. So I’d like to add…

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