Blue Eyeshadow Suicide Blonde
Hairbrush masturbation dark passage powderpuff jazz
but I’m the same as I ever was
grass skirts and red robes alone in my bedroom
sticking clothes under pretending I’m pregnant
something about diamonté windowsills, whippoorwills
swollen breasts, sticky lashes
feed the cats like they’re babies, I average
three pageants a day.
I get used to this mess the new normal cleansing
my face a glass chapel
with disposable alcohol wipes
but you’ve got me worried about my bad energy
looking out the window afraid to touch moths
blood down my leg you say I’ll go blind from the movies
so lonesome, devotion sundumb in the tennis courts
untamed with chlorine-burn hair
but if you’re smart you’ll see me overcome
the big hill by my pink enemy’s house
but if you’re smart you’ll be overcome
by the two-minute movie
my web of love on the Scopitone:
I wear a yellow dress
push daisies through my lips
I roll in the grass with a dark man unarmed
until sex is unnamed until water comes on
until fangs take the heart of attention
and he tightens the key on my neck.
(The Cat Upstairs Dying, I Meditate on) Lime, Sex for Money
You say it’s too late.
I say the last day of her life could be quiet
crime wave you say it’s not raining fill your head with canned pictures
crime pays.
Or it’s puffy horror and my coat sleeves get bigger
as we move deeper into what we claim is pleasure.
The truth’s in the toxins
or the truth’s in the Hollywood Bowl.
The truth’s in our wax heads our plastic skeletons
we had a chance but we gave it up.
I sleep in my eyemakeup
I pull back my bangs
I start the day with two tears and a background of flames.
I see a ghost on the steps and I keep time in my sleep.
I keep so much time for my sleep
or I start the day in a long sweater with a flower
surf song on the Scopitone just that and panties
change to a sundress you mutter if you could get any more whimsical
but the chopping takes you out of the equation.
Cash, cigarettes the unwitting philosopher blur
the cat cries the orange plastic snail
a passkey out of range a blunt haircut dedicated to B-movies
it’s amazing how a small screen opens this up
and she’s dying but not all that loud
so I listen to cha-cha to make myself glad.
Note: Jean-Luc Godard’s film Vivre sa vie was “dedicated to B-movies.”
To Beat the Heat, Shoot a Squirt Gun
to the night sky but who has the time?
It seems like all I do is wait
for me or the cat not to die. I can’t weigh the options
in the soft green-painted room.
I’m already mourning with visualizations
didn’t know the end was so dark
two cheating people a faraway tombstone
and all of those carwrecks
trapped in my heart
since all I can take is cloudy and cool.
I lose track of washing my hair
the black sequined evening gown with the false rose
and the mask fits a dog or a doll
but I didn’t think you’d catch on.
It’s summer in the spotlight it’s a melodrama balance
between making art and taking it off
twinkling and cranking it out again
and it feels safer to hide it from you
behind the pump swings in my red majorette dress with gold buttons
tawny in the park spotlight with the moths
as the grown-ups scream into the void of electronica
that the queen in the leopard bikini
abandoned our lawn chairs or Hollywood
for a pink grave in Pennsylvania or Texas
a fight over the estate
and all I can take is the clot
that pretty petty head sliced off
lodged and stuck in the windshield
like a fat spider
and I feel sick-sad for summer and smokestacks
sweet cream and her broken bones
and I’ll let you have her planchette
I can’t help it
and I’ll stop dragging her corpse to the Dairy Owl
once the money runs out.
Keep It Together
Constraint makes me honest at the pet hospital
or waiting on the hot bench to be picked up after swimming
more time to stretch time.
I spend all day deciding
I miss my Tennessee afternoon bedroom
orange poems and root beer
before I knew you and was loose about witchcraft.
Density supersedes delicacy.
I spent the days turned away from the salt
unholy trimester cold feet
but we need a flat yard for firewalking
corruption sad caterwaul.
I contextualized sex with teenage paperbacks
stolen from Kmart prostrate after the hard-stuffed
dog at the carnival.
Maybe it burned
like the wordlier girl’s pink-red bedroom.
I couldn’t pronounce her name, Penelope
I couldn’t live with the hot boy’s tongue inside me.
I wanted to watch until I became her.
How about we meet outside and trade stick-on earrings
before either of us cares about sunscreen?
I’ll explain how I’m afraid of that porcelain doll
I’ll say how I’ll save money and the decision is final
you could shatter the doll you could saw her in half
on a striped towel in your father’s garage.
I read some songs about sick decisions
at the cat’s bedside
one black glove one white glove
one glamorous cocktail
I think about being manhandled or married
how our love wouldn’t stand such a strain—
Party Girl
Sometimes it’s better to watch something in color
not feel hooked or ashamed.
All of your lies are big like the movies
but I’m tired and useless sweaty, untamed
halfway through the summer
half catharsis talking tough in silk and sequins
half euthanasia.
Maybe I need midnight lace dirty daze
to change my possession maybe just drive
maybe I need to give up and give shape
put my axe to the wheel of the time-lapse and grind
or just get amnesia.
When you live by the river you can’t walk at night
the air smells like fish you eat cakes small and cackle
in your purple corset.
Split-screen teach me how to shoplift and wear lipstick
queen of this or that talking tough
with sequins on my sleeves the queen of no right way
of sleeping her life away
and it’s no surprise I’m not at the ocean
and it’s no surprise my life is small poison
I live by the promise of ice cream
next to the smokestacks. I read lots of books
think lots of puff dresses. In my old car
I think like a pig. I act like I miss you
in my hot pants and bra
quiet bottles of strawberry nail polish.
I feel better reading about death
in terms of science with a host’s introduction
I feel better color-noir with blue balloons
my fire and ice séance high-waisted bikini
since who could leave a girl named Angel Eyes?
My ovary aches but I’ll make my escape
taking only small doses of Hollywood Babylon
Fatty, Virginia Rappe Olive Thomas’ blueberry, mercury eyes.
I’d like a difference in form
some bright blush or a pink opera cape
some being alone is authentic enough
as real as a cat’s yowl
in this, our July-time of sorrow.
-
Jessie Janeshek is the author of MADCAP, The Shaky Phase, and Invisible Mink. Her chapbooks include Spanish Donkey/Pear of Anguish, Rah-Rah Nostalgia, Supernoir, Auto-Harlow, Channel U, and Hardscape. With Jesse Graves, she co-edited the literary anthology Outscape: Writings on Fences and Frontiers.
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