Ben Loory‘s Stories for Nighttime and Some for the Day is one of the nicest-looking, nicest-feeling books you will ever…
A Summary of Everything I’ve Written at Big Other
The shifting, the transformation, of the relationship between individual artistic components became the central issue in Formalist investigations. […] It…
#AuthorFail 13: Debra Di Blasi
Welcome back, my friends, to lucky #13. My good friend and publisher, Debra Di Blasi, speaks best for herself. Go…
I Shot the Moon, Calamari Press, 25 / 41, Miranda Mellis’ THE REVISIONIST
Click through to read the full review of Miranda Mellis’ THE REVISIONIST, the twenty-fifth in this full-press review of Calamari…
Cecilia Vicuña’s SABORAMI (Chain Arts, forthcoming)
First published in 1973, two months after the military coup in Chile, Cecilia Vicuña’s SABORAMI is a document of the…
A Review of “The Assassination of Jesse James by the Coward Robert Ford”
I finally got around to seeing it, last night, and felt compelled for some reason to record my impressions. Which…
Using Viktor Shklovsky
[This post began as a response to some comments made by Douglas Storm on Amber’s most recent post.] The name…
Reading Frank Miller’s Batman: The Dark Knight Returns, part 8
Already in this set of posts we’ve looked at Frank Miller’s career before The Dark Knight Returns (Parts 1 and…
#AuthorFail 12: Stephanie Strickland
Ring the bells, sort of. Stephanie Strickland is a wonder of compelling poetic investigations. Experiencing her works–try “slippingglimpse” for a…
I Shot the Moon, Calamari Press, 24 / 41, Derek White’s POSTE RESTANTE
Click through to read the full review of Derek White’s POSTE RESTANTE, the twenty-fourth in this full-press review of Calamari…