Anybody who knows me knows this passage. I am constantly quoting it: [H]eld accountable for nothing, life fades into nothingness. Automatization eats away at things, at clothes, at furniture, at our wives, at our fear of war. […] And so, in order to return sensation to our limbs, in order to make us feel objects, [...]
Posts Tagged ‘Art as Device’
Food as Device
Posted in Uncategorized, tagged Art as Device, enstrangement, Fresh Air, Grant Achatz, Terry Gross, Theory of Prose, Viktor Shklovsky on March 4, 2011 | 2 Comments »
Scott Pilgrim vs. Inception for the Future of the Cinematic Imagination
Posted in Uncategorized, tagged Amélie, Art as Device, Christopher Nolan, Edgar Wright, Inception, Plumtree, Scott Pilgrim vs. the World, The Princess Bride, Viktor Shklovsky on August 26, 2010 | 19 Comments »
Since I wrote this critique of Inception, one question more than a few have asked me is: “What could Nolan have done differently?” Which is one way of asking: “What could he have done that you would have liked?” At first my response was along the lines of, “Well, not doing the things he did”—but [...]
Art as Device, and Device (When it Works) as Miracle (or, The Princess Bride vs. Inception)
Posted in Uncategorized, tagged Art as Device, Billy Crystal, Christopher Nolan, Ellen Page, Inception, Joshua Gordon-Levitt, Mandy Patinkin, Peter Falk, Rob Reiner, The Princess Bride, Viktor Shklovsky, William Goldman on August 20, 2010 | 14 Comments »
In my recent criticism of Inception, I took Mr. Nolan to task for his inelegant use of screenwriting devices, such as his endless reliance on (often irrelevant) exposition. Some took objection to this. (See the comment thread here, also.) To clarify: the problem is not the device, but the clumsy, bare-boned way in which it’s [...]