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A nice, relatively brief interview with Chris Ware that is worth watching for two reasons— (1) It spotlights Chris Ware, perhaps the single most important graphic novelist of, well…I think that’s it: the single most important graphic novelist (his epic masterwork, Jimmy Corrigan, the Smartest Kid on Earth, being the standard case for legitimizing comics [...]

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I am a native of Gelderland. Our property consists only of a few acres of briar and brackish water. Pines that rustle with a metallic sound grow on its boundaries. Only a few rare inhabitable rooms remain on the farm, which is dying stone by stone in solitude. We issue from an old family of [...]

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Anima Mundi is Latin for “the shortest Godfrey Reggio / Philip Glass collaboration”—the third of their four “musical nature documentaries.” (The others are the Hopi-titled Koyaanisqatsi, 1982, Powaqqatsi, 1989, and Naqoyqatsi, 2002—although the less said about that last one, the better.) Reggio and Glass also sometimes get assigned Baraka (1992) but, beyond clearly inspiring it, [...]

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*** The premise of this essay is that criticism needs to play a central role in the revival of literature. -Anis Shivani, “What Should be the Function of Criticism Today? Subtropics *** Here are a few of the many facts strangers can learn from reading Lin’s blogs and comments on blogs: His penis measures five [...]

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[A guest post from Nathan Huffstutter. Nathan Huffstutter's work can be found at The Nervous Breakdown, The Collagist, and Emprise Review.] Most of what I know I picked up on my feet. Restaurant work: dish pits and service patterns and then back behind the bar, where pretty much everything goes. “You need to put something [...]

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The Listeners, Leni Zumas’s new novel, has just been published by Tin House Books. The book is available at a discount through Powell’s. An interview with Leni is at Powell’s website. Publisher’s Weekly review. A review of the book is at Full Stop. Her reading tour: May 16 – Powell’s Books, Portland, OR May 21 [...]

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Time Magazine, Peter Greenaway had you beat back in 1993—and then some. Below the jump you’ll find the polemical Welsh director’s response to a similar debate in 1993, when the perennially outrageous United Colors of Benetton ultra-outraged Britons with an ad featuring a newborn baby (still bloody, its umbilical cord still attached). Greenaway replied: What [...]

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Barrelhouse is one of my favorite literary magazines. It’s one of the first I picked up, at Von’s Books in Lafayette, Indiana, along with the now-unfortunately-defunt Quick Fiction. It’s one of the magazines that I am proudest to have been able to contribute work to. What I am saying is that this is not, and [...]

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Big Bridge 16

Big Bridge’s 15th Anniversary issue is now live.  It contains multitudes.

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Jared Hayes’ new full length book The Dead Love: Hands and More Hands Together states itself as “an experiment in collage.” This “experiment” states that it is dedicated to and also somehow made of Paul Celan and Helene Cixous, Jack Spicer and Gertrude Stein and Ted Berrigan. In one of the blurbs describing the book [...]

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[Wisdom from Amber Sparks.] Warning: my thoughts on ordering stories will almost certainly be incredibly unhelpful to you in your efforts to do the same. I really feel, after going through the process of writing and ordering a collection, (PLUG: My debut short story collection, May We Shed These Human Bodies, comes out in September [...]

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I put off seeing The Room for a long time. Some friends told me it was so terrible that it was good, and me, being a real smartypants, thought I knew what they meant by that, and ignored their requests that I join them for midnight screenings at the Music Box (some of them featuring [...]

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As proprioception does not come from a singular or specific organ within the body, but from a sort of strange collective (the nervous system), this account will be necessarily fragmented—parts pouring from parts: There was a time when I lived alone in the desert amongst many versions of cacti. There were cacti there, and there [...]

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1. I am feeling very excited to be engaging with you re this little interview in support of and co-investigation (with you) re your new book Narrative and Nest (Pre-Natal Architectures & Narrative Rituals) (http://www.lulu.com/product/paperback/narrative-nest/18789364) I wanted to conduct this interview after you spoke with me a bit prior to inviting me to the gallery [...]

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In bed sick, but unable to sleep; I viewed a beautiful film, The Mill and the Cross, about the 16th Century Pieter Breughel painting “The Way to Calvary.” For some years I have loved Breughel and to see this cipher put onto film (more is known about Shakespeare), portrayed with ease, and placed into a [...]

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Tuesday May 8th 6:30pm Williamsburg, Brooklyn – get tickets (free) Threats – LA Times Review

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Is it actually controversial to say that you don’t get art? People act like it is. And maybe it seems that way, for some people, if for example they’re surrounded by other people who do “get art,” or pretend to get art, or are part of the art world, or however you want to frame [...]

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Alternately bizarre, poignant, and unsettlingly funny, William Walsh’s Ampersand, Mass.—the titular town situated somewhere between Winesburg, Ohio and Yoknapatawpha County—brings Donald Barthelme’s darkly comedic compressions to mind. These fragmentary, non sequitur-filled stories, peopled by ne’er-do-wells, nincompoops, and priapic not-quite-post-adolescents, circumvent expectations, the seemingly desultory images and events actually carefully sutured together to evoke the sadness, [...]

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There was an interesting piece on the New Yorker blog a few days ago about a new video performance piece by artist Moyra Davey, appearing in the Whitney Biennial. In the video, “Les Goddesses,” she paces decisively around her home speaking into a microphone about subjects both scholastic and revealing—the life of Mary Wollstonecraft, her [...]

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Don’t let the odd title put you off! It’s just some funny word meaning how things can become interconnected. Cinematically, it contains both “Psycho” and “Taxi” so how can the film be bad? And imagine how smart you’ll sound when it rolls off your tongue in front of your friends. Symbiopsychotaxiplasm is an experimental meta-documentary [...]

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