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Gabriel Orgrease: On Ritual

My ritual as a writer is to seek dissociation from my consciousness. I look for opportunities that take me out of myself, that challenge me not so much in the craft as writer but that question my existence as an individual and within a social context of family and extended community. As a writer I look for ways in which to see the text that I have created from the outside.

“As the afterglow of a night spent after he ingested a bit too much LSD. Small white pills and he was drunk and stoned and did not realize until a while later that he had ingested everyone’s score. An odd night, it was the day afterward of a stark dissociation, lost here and now, that had the profound long-range impact. It was

of infinitude in a Blakean sense of perpetual epiphany. Though it was a curious place to visit it was not one in which he desired to take up a full-time residence.”

I came across these words stored on my computer and as I read them became more and more irritated, and jealous, that someone had written something that appeared to me lucid and I did not know who it was… until I realized that it was me.

It is not a question of lighting smelly candles, though I may do that, or playing gong music that sounds like pots and pans struck by a baboon, though I may also do that, but it is always a ritual to seek a way to meet myself in life and work as if I am my own stranger.

***

On Ritual at Big Other

Is it true, dear writer? Do people in all walks of life find that “starting off with a simple, ordered routine establishes a mindset which helps get any job done”? Questia claims it’s so (August 2009). I remain on a mission to prove or debunk the notion.

Help me. Jot down your writing ritual (or not). We’ll discover–and let readers know, finally and forever–if rituals really do pay off.

Previously ritualized: Nicolle Elizabeth

*Some responses may be eligible for posting at American Short Fiction blog, where I began the On Ritual series.

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