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Text Off the Page

Text that appears in places other than on a piece of paper basically makes me wet my pants.  Maybe it’s because I look at paper all day long, so then when I find people writing on un-paper, or un-screen, to limit it even more, my eyeballs start salivating at the thought of a new surface.

Karen Reimer was one of the first people I came across, a number of years ago, who was involved with text on fabric.

Here’s a receipt she embroidered:

She embroidered lots of awesome found objects:  a torn open Equal packet, a house blueprint, a page of a newspaper.

Then I think she got tired of being the person who embroidered things that normally appeared on paper and started making stuff like this:

This stuff felt exciting because it seemed destructive, a little more savage, less refined.

But now she’s quilting prime numbers:

I like numbers, too, but I think I need a new obsession.

Does anyone else have this penchant?  On what other surfaces do you have a hankering to see text?

There’s of course this:

Joseph Kosuth

and this:

Jenny Holzer

What else? Why?

  • John Madera is the author of Nervosities (Anti-Oedipus Press, 2024) and Nomad Science (Spuyten Duyvil Press, forthcoming in 2026).  His  fiction is also published in Conjunctions, Salt Hill, Hobart, The &Now Awards 2: The Best Innovative Writing, and many other journals. His poetry is also published in elimae, Sixth Finch, Contrapuntos, and elsewhere. His criticism is published in American Book Review, Bookforum, The Review of Contemporary Fiction, Rain Taxi: Review of Books, The Believer, The Brooklyn Rail, and many other venues. Recipient of an M.F.A. in Literary Arts from Brown University, two-time New York State Council on the Arts awardee John Madera lives in New York City, where he runs Rhizomatic and manages and edits Big Other.

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