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June 16, 2010March 8, 2019 - Uncategorized, Writing

Two Texts for Bloomsday, by William Walsh

Below are two pieces derived from James Joyce’s collected letters. The first one plays on a comment from Ezra Pound…

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May 13, 2010March 4, 2019 - Books, Quotes, Reading, Uncategorized, Writing

A Sentence About a Sentence I Love, by John Domini

“And more than once, in their middle years, she and King Shahryar had pretended in bed that her life was…

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May 10, 2010March 6, 2019 - Books, Quotes, Reading, Uncategorized, Writing

A Sentence About a Sentence I Love, by Alexandra Chasin

“Like sands through the hourglass, so are the days of our lives.” How is the question posed by any simile,…

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May 8, 2010March 3, 2019 - Books, Quotes, Reading, Uncategorized, Writing

A Sentence About a Sentence I Love, by Matt Bell

“It was like looking at a rock pile and trying to imagine an avalanche.” —from Guide, by Dennis Cooper  …

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May 5, 2010March 3, 2019 - Books, Quotes, Reading, Uncategorized, Writing

A Sentence About a Sentence I Love, by Lance Olsen

  RHETORIC   The art of making life less believable; the calculated use of language, not to alarm but to do…

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May 5, 2010March 3, 2019 - Books, Quotes, Reading, Uncategorized, Writing

A Sentence About a Sentence I Love, by Ken Sparling

“There was a wall.”   This is the first sentence of THE DISPOSSESED by Ursula K. Le Guin, and the…

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May 1, 2010March 3, 2019 - Books, Quotes, Reading, Uncategorized, Writing

A Sentence About a Sentence I Love, by Gary Amdahl

“He projected himself all day, in thought, straight over the bristling line of hard unconscious heads and into the other,…

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April 30, 2010March 3, 2019 - Books, Quotes, Reading, Uncategorized, Writing

A Sentence About a Sentence I Love, by Andrew Borgstrom

“John’s red sow won’t go / out of labor so we stay all night / and John brings coffee and…

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BIG OTHER is an online arts and culture magazine, published since 2009. It features fiction, poetry, art, hybrid works, reviews, essays, interviews, a podcast, and more. BIG OTHER is edited and managed by John Madera.

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