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Posts Tagged ‘Theory of Prose’

[This post began as a response to some comments made by Douglas Storm on Amber's most recent post.] The name “Viktor Shklovsky” comes up a lot at this site (I’m guilty of mentioning it in perhaps half of my posts), and one might wonder why the man and his work matters. Below, I’ll try and [...]

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Anybody who knows me knows this passage. I am constantly quoting it: [H]eld accountable for nothing, life fades into nothingness. Automatization eats away at things, at clothes, at furniture, at our wives, at our fear of war. […] And so, in order to return sensation to our limbs, in order to make us feel objects, [...]

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Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 7 | Part 8 Greetings again after much too long a while. Since the last installment in this series, the new pornographers at Vivid have announced, written, shot, and released Batman XXX: A Porn Parody, so it’s well past [...]

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Earlier today John pointed toward Nigel Beale’s cleverly-titled criticism of my post “Tiny Shocks: Uncovering the Reductive Plot of James Wood’s How Fiction Works.” I’m looking forward to Nigel’s longer criticism; in the meantime I thought I’d reply regarding the mistakes Wood makes in his readings of Viktor Shklovsky and William H. Gass, since Nigel [...]

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On January 22, I read Shya Scanlon’s post “The Dull King”; on January 25 I read his second post “Cover Your Tracks.” Both were about reading James Wood’s How Fiction Works. Before that I’d heard of James Wood but hadn’t read anything by him; I knew some people liked him and some didn’t like him. [...]

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