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Posts Tagged ‘Robert Altman’

Having just reread William Gass’s “The Pedersen Kid” yesterday morning, I decided to do a study of associations–what my brain does as I read, what I think of, what I take away–though right there I sally and this Heraclitus quote, used as an epigraph in W.S. Merwin’s The Lice, drips back into my consciousness: All [...]

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Well, Arthur Penn died. He was of course a great director. And of course everyone will be talking about how great Bonnie and Clyde (1967) is—and it is great. It’s one of the most important of American films; along with John Boorman’s Point Blank (1967), it essentially kick-started 1970s cinema, and that decade’s auteur-driven New [...]

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I love film. I want to pay tribute to eight film directors who have changed the way I see life. Robert Altman 1925-2006

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While writing my previous post, I grew aware that I wasn’t mentioning any women filmmakers. So I’d like to add something addressing that (because of course one can find numerous examples). And along the way, I’ll also try to say more in general about the power—and limitations—of the long take.

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Some of us have been discussing long takes in movies, and John mentioned that he’d like seeing a list of films that consist primarily of the beautiful things. So here is a start at such a list. (And here is another one, which like this list embeds many YouTube clips, such as the magnificent opening [...]

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Robert Altman and a happy Shelley Duvall before she met Kubrick In March 2002 I woke up one morning in a trailer in the south of France, near the city of Carpentras. I worked on a fully organic farm (nothing mechanical, horse-drawn tills). There were no entertainment devices, save a transistor radio that picked up [...]

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