Well, Arthur Penn died. He was of course a great director. And of course everyone will be talking about how great Bonnie and Clyde (1967) is—and it is great. It’s one of the most important of American films; along with John Boorman’s Point Blank (1967), it essentially kick-started 1970s cinema, and that decade’s auteur-driven New [...]
Posts Tagged ‘Nicolas Roeg’
Arthur Penn’s Night Moves
Posted in Uncategorized, tagged Robert Altman, Don't Look Now, Nicolas Roeg, Wes Anderson, Bonnie and Clyde, Arthur Penn, Night Moves, Roger Ebert, The Long Goodbye, Point Blank, Days of Heaven, Annie Hall, John Boorman, Gene Hackman, Éric Rohmer, My Night at Maud's, Melanie Griffith, The Conversation, William Wyler, Ernst Lubitsch, Billy Wilder, The New Hollywood, Jonathan Rosenbaum, Ross Macdonald, Francis Ford Coppola on September 30, 2010 | 10 Comments »
My Favorite New Movies of 2009
Posted in Uncategorized, tagged Agnès Varda, Andrzej Wajda, Antichrist, Bill Murray, Bradley Beesley, Bright Star, Bruno Delbonnel, Chaos Reigns, Chris Marker, Christian Petzold, Christmas on Mars, Christoph Waltz, David Mamet, David Yates, Fanny Brawne, Fantastic Mr. Fox, Frank Miller, George Salisbury, Harry Potter and the Half-Blood Prince, Hayao Miyazaki, Il Divo, Inglourious Basterds, J.J. Abrams, Jane Campion, Jerichow, John Keats, Katyń, Lars von Trier, Les Plages d’Agnès, Mike Stoklasa, Nicolas Roeg, Nightwatching, Oren Peli, Paolo Sorrentino, Paranormal Activity, Peter Greenaway, Ponyo, Puffball, Quentin Tarantino, Redbelt, Rembrandt, Richard Kelly, Ricky Jay, Rita Tushingham, sexism, Star Trek, Star Wars: The Phantom Menace Review, The Beaches of Agnes, The Box, The Spirit, torture porn, Tsai Ming-Liang, Visage (Face), Watchmen, Wayne Coyne, Wes Anderson, Whatever Works, Woody Allen, Zack Snyder on December 31, 2009 | 21 Comments »
[Update: 2010 is here] Here are my favorite new movies of 2009, like you care. I’m drawing from the films I saw in the theater this year, some of which were “officially” released a year or two ago. But they’re all new. …So, Mr. Cranky, what did you like?