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Posts Tagged ‘narrative’

Peter Greenway’s film A Zed & Two Noughts (A.K.A. Z00) [1985] begins with a swan crashing into a car, killing two people. The driver survives, but lives the remainder of the film as an amputee having lost her right leg. By film’s end, the amputee decides to remove her one remaining leg and falls in [...]

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Besides being totally charming, the above clip’s worth watching for its lesson in narrative economy. (I just showed my girlfriend Heaven Can Wait (1943), so Lubitsch and his storytelling mastery is much on my mind.)

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Welcome to #AuthorFail (want to get in on this thing? Check here for guidelines.) This week’s installment (cue old-timey radio-play music), traces Sean Beaudoin’s novel-that-never-was-which-almost-became-an-app-that-never-was. Picture Sean right now, perhaps playing around with one of the project’s sprawling sentences the way a cat beats about a bloodied mouse. Lawd, take pity on us poor writers.  [...]

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[Last weekend, while en route to Abu Dhabi, my good friend Jeremy swung by my cold-water Chicago flat. After a lengthy Indian-wrestling match, we headed downtown to the AMC River East 21, where we caught a screening of Duncan Jones’s latest film, Source Code. Two hours later, expelled into the brisk April evening, we hunkered [...]

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I had a stray thought recently about Otto Preminger’s classic 1944 noir Laura (1944), based on Vera Caspary’s 1943 novel of the same name. The film’s first half revolves around the murder of the title character, although of course it’s more complicated than that. And I’d like to argue that it’s slightly more complicated than [...]

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Guy Ben Ner’s excellent video Stealing Beauty (2007, about 18 minutes) was featured in an architecture talk that my husband attended. When he came home I was eager to hear about what invited speaker Vito Acconci had to say. The reply? “Forget Acconci, watch this!” In the video the narrative imitates a typical American sitcom, [...]

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